Biblio
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Electronic Linguistics: Taka Iimura." ArtWeek 11, no. 41 (1980).
"Cybernetic Serendipity: The Computer and the Arts, Edited by Jasia Reichardt. New York: Praeger, 1969.
Jazzing Up the Home Screen (Carol Goss)." Videography 4, no. 10 (1979).
"Educational Communications Centers and the Television Arts Conference: November 22, 1974 - Media, Information and Then? In Educational Communications Centers and the Television Arts Conference: November 22, 1974. Vol. November. University Center at Albany, 1974.
New York State Council on the Arts Proposal: Electronic Video Processing System Development. 1977., 1977.
The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
"Bibliography: Peggy Gale., 1996.
Kjell Bjorgeengen: New Videoworks. The National Museum/ The Museum of Contemporary Art, 2004.
Direct Video: Electronic Artform for Color Television." National Center for Experimental in Television Reports 3 (undated).
"Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.. NY, NY: Rockefeller Foundation, 1979.
Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
" The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
"Reflections from Owego." The Squealer (1990).
"Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).
"From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
"Throat." Art Papers (1994).
"G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Evolution of Thinking Machines." The Squealer (2004).
" Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Video Spaces: Eight Installations. NY, NY: The Museum of Modern Art, 1995.
Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
The Computer: A Tool for Thought-Experiments. Salt Lake City, UT: University of Utah, Department of Communication.
The Videotape Collection at Media Study Buffalo." Afterimage 5, no. 7 (1978).
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