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bibliographic
Ross, David. "Invitation to Circuit exhibition. January 3, 1973." (1973).
Bazin, Andre. What is Cinema? Essays selected and translated by Hugh Gray.. Berkeley: University of California Press, 1967.
Tektronix Instruction Manual for the Type RM 529 Oscilloscope.. Beavertown, OR: Tektronix., 1964.
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Hewlett Packard/ Sanborn Division. Operating and Service Manual. D C General Purpose Amplifier 126, 126B, 64-300A, 64-300B, 67-300, 67-300B.. USA: Hewlett Packard/ Sanborn Division., 1968.
Type TA-19B Processing Amplifier System NTSC. Camden, NJ: RCA Commercial Electronic Systems, 1972.
World Wide Video Festival. Den Haag, Netherlands: Kijkhuis, 1983.
Arnheim, Rudolf. Visual Thinking. Berkeley, CA: University of California Press, 1969.
Daedalus. "Print Culture and Video Culture." Daedalus Fall (1982).
Kostelanetz, Richard. Moholy Nagy: Documentary Monographs in Modern Art, Edited by Paul Cummings. New York, Washington, NY, DC: Praeger Publishers, 1970.
Ward Electronic Industries. Riker-Maxon. Product Catalog.. Clark, New Jersey: Ward Electronic Industries. Riker-Maxon., undated.
Computer Warehouse System Builders' Catalog. Boston, MA: Computer Warehouse, 1978.
Winston, Brian. "A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 105-124.
Siggraph '82 Conference Proceedings Vol 16 no.3. NY: Association for Computing Machinery, 1982.
Epson Stylus Color 760, 860 Operator Manual. Seiko Epson Corporation, 1999.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
Schlanger, Matthew, and David Jones. Schematics and notes in regard to First Jones Frame Buffer from Matthew Schlanger to Peer Bode (11 pages).. Owego, NY: Experimental Television Center, undated.
Dowling, Susan. "The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
Lorber, Richard. "Epistemological TV." Art Journal 34, no. 2 (1975).
Sony P.E.T.I-13 Audio and Video Cables (Product Engineering Technical Information)., 1970.
Schematics for G.P.L. Sync Generator., 1962.
New York State Council on the Arts Annual Report 1970-71., 1971.
SONY. Micro TV Tuner, VTM-4200.. Japan: Sony Corp., 1984.
Fairlight CMI Owner's Manual. Sydney, Australia: Fairlight Instruments, Inc., undated.
Moholy-Nagy, L.. Vision in Motion, Edited by Paul Theobald. Chicago, IL: ID Book: Institute of Design, 1947.
Sutherland, Ivan E.. "Computer Inputs and Outputs." Scientific American (1966): 86-97.
Hathaway, James. "Artist Uses Technology to Tackle the World." Arizona State University College of Fine Arts Newsletter (1994).
Sony Corporation of America. Sony Component TV System Connection Guide, KX-1901/2501, VTX-1000R.. Japan: Sony Corporation of America., 1981.
Ancona, Victor. "Antonia Muntades: The Iberian Influence." Videography 3, no. 5 (1978).
Gruber, Bettina, and Maria Vedder. Du Mont's Handbuch der Video Praxis. Koln: DuMont Buchverlag, 1982.

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