Biblio
Dream Machines., 1974.
Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Dreyer in Double Reflection: Translation of Carl Th. Dreyer's writings About The Film (Om Filmen). New York, NY: E.P. Dutton & Co., Inc., 1973.
DSC Digital Services Corporation Composite Eclipse ECL 4000 Operations Manual with EFE option.. Gainesville, Florida: DSC Digital Services Corporation, 1988.
Du Mont's Handbuch der Video Praxis. Koln: DuMont Buchverlag, 1982.
Dwight MacDonald on Movies. Englewood Cliffs, NJ: Prentice- Hall, Inc., 1969.
Dynair Video Switching Techniques Product Catalog; Television Equipment Short Form; Video Output Amplifier Model DA-5150B; Switch Module SW-5100A; Series-5100 Video Switching System; "Facts About Multiple-Input Multiple-Output RF Switching".. San Diego, CA: Dynair Electronics, 1966.
Dynamics of Television. London: Gower Press, 1976.
Dynaquip Edit Code Master model 3800 Instruction Manual. Burlington, Canada: Dynasciences, 1980.
Dynasciences Video Products. Blue Bell, PA: Dynasciences, 1975.
Design / Electronic Arts Poster. Buffalo, NY: Media Study Buffalo, 1977.
Det Syntetiske Bilde. Oslo: Kunstnernes Hus Oslo, 1991.
Digital Happy Hour. New York, NY: The Kitchen, 2001.
Documenta 6. In German.. Kassel: Druck Verlag GMBH, undated.
Documentary Video: Decades of Change. Long Beach Museum of Art, 1986.
Douglas Davis: Events Drawings Objects Videotapes. Syracuse, NY: Everson Museum of Art, 1972.
Dream Reels: VideoFilms and Environments by Jud Yalkut. New York, NY: Whitney Museum of American Art, 2000.
Dan Graham: Appearing in Public." Artforum 15, no. 3 (1976).
"Das orbitale Zeitalter." Noema 3, no. 40732 (1986).
"David Keller: Youthful Optimist/Nihilist." Videography 5, no. 8 (1980).
"David Ross Thoughts on Video." Artweek 9, no. 33 (1978).
"Dear Thespians: -." (1974).
"Decentralization of the Means of Visual Production." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"Deconstruction and Circumvention." Critical Inquiry 11, no. 1 (1984).
"Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
"Designing for TV." Print XXVI, no. I (1972): 42-71.
"Desire in Art and Politics: The Theories of Jean-Francois Lyotard." Camera Obscura, no. 12 (1984).
"Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
"Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
"Didactic Video: Organizational Models of the Electronic Image." Afterimage 3, no. 4 (1975).
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