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bibliographic
DeWitt, Tom. Pantomation., 1975.
Ancona, Victor. "Artists' Tapes at Home: Reality or Delusion? Part II." Videography 7, no. 1 (1982).
MacDonald, Scott. A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
Sony Videocorder Service Stations, Superscope Tape Recorders Service Stations, Authorized Service Stations., undated.
Visions of U.S.: Best of the 1st Annual Home Video Competition. American Film Institute, 1984.
Leviathan. Leviathan - Effects of Televisio., undated.
Sony Corporation of America. Sony. Videocassette Recorder BVU-200A. U-Matic Professional Operation and Maintenance Manual: 1st Edition (Revised 2). Serial No. 20001 and Higher.. Japan: Sony Corporation of America., 1979.
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
"Black Face." The Quarterly Journal of the Black Filmmaker Foundation 1, no. 1 (1989).
Stout, David, and Bob Campbell. "Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
National Endowment for the Arts: Proposal for Continued LSI-11 Microprocessor Research and Publication., 1978.
Meyers-Kingsley, Dara, and Chris Chang. Reel Work: Artists' Film and Video of the 1970s. Miami, FL: Museum of Contemporary Art, 1996.
Barlow, Melinda. "Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape." Afterimage 25, no. 2 (1997): 6-10.
Sony Corporation of America. New Sony U-Matic Color Videocassette System. You've got the whole world in your hands.. New York, NY: Sony Corporation of America., 1971.
Haller, Robert. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Panasonic Color Cameras Models WV-3255/8AF; WV-3250/8AF., undated.
Turner, Ann. "The National Center for Experiments in Television." Radical Software 2, no. 3 (1973).
Ancona, Victor. "The Whitney Museum Biennial." Videography 8, no. 5 (1983).
Operation and Service Instruction Manual for Precision 1000 Television System. Pleasantville, NY: General Precision Inc., 24537.
Paik, Nam June. Nam June Paik Video Sculptures: Electronic Undercurrents. Copenhagen: Statens Museum for Kunst, 1996.
"Special series Video Art Exploration Dominique Belloir." Cahiers du Cinema (1981).
Richards, Catherine, and Mary Anne Moser. Angles of Incidence: Video Reflections of Multimedia Artworks. Banff, Alberta, Canada: The International Council for Computer Communication and The Banff Centre for the Arts, 1993.
Huffman, Kathy Rae. Video: A Retrospective. Long Beach Museum of Art, 1984.
Ross, David. Letter from Joan Jonas to Experimental Television Center., 1972.
Video 2000. Dayton, OH: Wright State University Art Galleries, 2000.
Body, Vera, and Peter Weibel. Clip Klapp Bum, Edited by Vera Body. Koln, 1987.
Hewlett Packard/ Sanborn Division. Operating and Service Manual. 60-1300, 60-1300B Sanborn Twin-Viso Recorder.. Waltham, MA: Hewlett Packard/ Sanborn Division., 1957.
Type PK-730A Single Vidicon Color Camera. Burbank, CA: RCA Commercial Electronic Systems, undated.
Daedalus. "Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).

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