Goss, Carol. Driven to Abstraction., 1998.

Grant, Roberta. "Ralph Hocking and the Experimental Television Center." Videoscope 1, no. 2 (1977).

Grossman, Peter Z.. "Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).

Gusella, Ernest. A Statement on Video., 1979.

Gwin, Bill. "Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach." National Center for Experimental in Television Reports 3 (undated).

Hagen, Charles, and Laddy Kite. "Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).

Hall, David. Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.

Halleck, DeeDee. Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.

Hanhardt, John. Strengthening the Media Arts in New York State : John Hanhardt. ETC, 2004.

Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.

Hays, Ron. Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.

Herskowitz, Richard. Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.

Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.

Herzogenrath, Wulf. Video Tapes. In German and English. Kolnischer Kunstverein., 1974.

Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).

High, Kathy, and Ralph Hocking. A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.

Hightower, John B.. NYS Council on the Arts 1969-70: Executive Director's Statement. NY, NY: New York State Council on the Arts, 1970.

Hill, Chris. "(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).

Hill, Chris. Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.

Hocking, Sherry Miller. Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.

Hocking, Sherry Miller. "Reflections from Owego." The Squealer (1990).

Hocking, Ralph. G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.

Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).

Hocking, Sherry Miller. "Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).

Hocking, Sherry Miller. Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.

Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).

Hocking, Ralph. Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.

Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).

Hornbacher, Sara. "Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).