Biblio
Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.
FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Alchemy to AC/DC to Ones & Zeros: DIY Film to Video to Digital Transfers." The Squealer 15, no. 1 (2004): 14.
"Cage: A Filmic Circus on Metaphors on Vision An Interview with Film Artist Lawrence Brose." Afterimage (2004).
"It's Not Just the Clouds, or Maybe It Is An Email Interview with Cory Arcangel." The Squealer 15, no. 1 (2004): 5-7.
"Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
"Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.
Before and After the I-Bomb, Edited by Peggy Gale. Alberta, Canada: Banff Centre Press, 2002.
"A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.
Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Net.art: Shedding the Utopian Moment?" Link 7 (2001).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Editor's Introduction." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"Handbook for Digital Projects: A Management Tool for Preservation and Access, Edited by Maxine K. Sitts. Northeast Document Conservation Center, 2000.
Handbook for Digital Projects: A Management Tool for Preservation and Access, Edited by Maxine K. Sitts. Northeast Document Conservation Center, 2000.
Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
" Sony Corporation of America. Sony. Compact Hi-Fi Stereo System Operating Instructions: MHC-M500AV/M300AV, MHC-M100. Campact Disc Digital Audio.. China: Sony Corporation of America., 2000.
Taking Liberty: the second part of the international artists exchange program. Boston, MA: Mobius, 2000.
TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
"Videospace: The National Center for Experiments in Television, 1967-1975. California: University of California Berkeley Art Museum and Pacific Film Archive, 2000.
Back to the Future of Television: National Center for Experiments in Television Preservation Project Progress Report." MAIN (1999).
"Black Dog Dreams., 1999.
Imaging postmemory/renegotiating history." Afterimage (1999).
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