Biblio

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Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Dzwonkoski, Julia, and Kyle Potter. Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.
Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Boyer, Jean-Pierre. L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Stern, Rudi. Stern Media Information., 1975.
Experimental Television Center, Dr. Donald McArthur, Walter Wright, Richard Brewster, and Sherry Miller Hocking. LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware and Software Research Results for project. 1977., 1977.
Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.
Supanick, Jim. "Quest for What: Video by the HalfLifers." Film Comment (1999).
London, Barbara. Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.
Simmons, Richard. Psycho-Flux Reunion.., 1998.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Simmons, Richard. Everson Video Revue Introduction. Syracuse, NY: Everson Museum of Art, 1979.
Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Chin, Daryl. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Agenda. Participants. Screening.. ETC, 2004.
Nesthus, Marie. A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition.. NY, NY: Donnell Media Center, 2003.
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
O'Grady, Gerald. Introduction to The Frontier 1979-1980. Buffalo, NY: Media Study/Buffalo, 1980.
Ross, David. David Ross: The Success of the Failure of Video.. ETC, 1998.
Betancourt, Michael. "Motion Perception in Movies and Painting: Towards a New Kinetic Art." Ctheory (2002).
Experimental Television Center, David Jones, and Sherry Miller Hocking. New York State Council on the Arts: Proposal for Development of Systems by David Jones. 1976., 1976.
Sturken, Marita. "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Kiger, Bob. "Videography What Does It All Mean?" American Cinematographer (1972).
Wooster, Ann-Sargent. "Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Eyers, Luci. Histories of New Media Art. NY, NY: Rhizome DIgest, 2004.

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