Grass Valley Group Field Modification Note for Lever Arm Assemblies for all 900, 1400, and 1600 series equipment.. Beaverton, Oregon: Grass Valley Group, 1976.

Sterling, Christopher H., and John M. Kittross. Stay Tuned: A Concise History of AmericanBroadcasting. Belmont, CA: Wadsworth, 1978.

Cathcart, Linda. Steina Vasulka: Machine Vision/Woody:Description, Edited by Linda Cathcart. Buffalo: Albright-Knox Art Gallery., 1978.

of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.

Sony Corporation of America. New Product Information. Sony Color Sync Generator CG-101.. New York, NY: Sony Corporation of America., 1973.

Boyle, Deirdre. "Who's Who in Video: Bill Viola." Sightlines 16, no. 3 (1983).

Hindman, James. "A Survey of Alternative Video Part 2." AFI Edurational Newsletter 4, no. 3 (1980).

Panasonic AG-2400 VHS Video Casette Recorder., undated.

Tulbert, David. "White Ox Films: Funding the Future." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 21.

Davidson, Steven, and Gregory Lukow. The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.

Kuntzel, Thierry. Nostos?II: Installations. Paris: Centre Georges Pompidou, 1984.

Osborn, Barbara. Preface to At Arm's Length (Taking a Good Hard Look at) Artists' Video., Edited by Barbara Osborn., undated.

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JVC Service Manual for Video Casette Recorder Model HR-2200U; Tuner/Adapter Model TU-22U; AC Power Adapter Model AA-P22U; NB-P1 Battery Pack Technical Notes.. Tokyo, Japan: JVC (Victor Company of Japan, Ltd.), 1980.

Ross, David. "Douglas Davis." Flash Art (1975).

Wortz, Melinda T.. "Southland Video Anthology." Artweek 6, no. 26 (1975).

Experimental Television Center Spatial and Intensity Digitizer (SAID). Binghamton, NY: Experimental Television Center, 1976.

McIntosh Loudspeaker Sales Literature Model ML 4 C; ML 1 C; ML 2 C; L3C; ML 2 M; ML 4 M; L3M.. Binghamton, NY: McIntosh Laboratory, Inc., undated.

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Warshawski, Morrie. "Artists and Facilities Form a Symbiotic Relationship." Videography 11, no. 2 (1986).

Dumont. Howard W. Sams & Co., Inc. Photofact Folder, Set 1353, Folder 1, Dumont Models 25DC10W, 25DC11S, 25DC12M, Color TV.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.

Ancona, Victor. "Ithaca Video: Margin Notes on a Moveable Feast." Videography 4, no. 9 (1979).

Lucas, Kristin. Are you still blam: Temporary Housing for the Despondent Virtual Citizen. O.K Center for Contemporary Arts Upper Austria, undated.

Simpson, Lindsay. "It's Not Just the Clouds, or Maybe It Is An Email Interview with Cory Arcangel." The Squealer 15, no. 1 (2004): 5-7.

Gillette, Frank. Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.

Almay, Max. "Leaving the 20th Century: Interview with Max Almy." Camera Obscura 12 (1984).

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Schramm, Wilbur. Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.

Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.