{"id":6524,"title":"Circle/ Squared, Video Portraits","kind":"event","url":"https://www.videohistoryproject.org/circle-squared-video-portraits","version":"b257dac40a9c4ff9da4eb541cde4f0c738022c18c836aa57ccbd27dc1d66b3de","modified":"2011-05-16T14:18:00+00:00","credits":[],"authorKeys":[],"subjects":[],"metadata":[{"label":"Date","value":"1982","url":null}],"citations":{"page":"\u0022Circle/ Squared, Video Portraits.\u0022 Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/circle-squared-video-portraits.","publication":null,"risUrl":"https://www.videohistoryproject.org/citation/6524.ris"},"links":[],"sections":[{"name":"body","source":"VHP record body","generated":false,"characters":594},{"name":"summary","source":"existing VHP generated summary","generated":true,"characters":618}],"content":{"section":"body","source":"VHP record body","generated":false,"text":"Circle/ Squared, Video Portraits by Beth Berolzheimer, Randolph Street Gallery Chicago December 13-17, 1982. A five channel video installation of four image processed portraits surrounding a central super 8 image shot at a nudist colony. \u0022Her work has the Chicago \u0022look\u0022, relying heavily on multilayered sound tracks and electronically altered visuals. Like most video art, her tapes embrace the technology of the taped image, turning what a still photographer might consider the visual \u0022limitations\u0027 of the picture tube into aesthetic advantages.\u0022 Chap Freeman, The Chicago Reader, 12/10/1982.","offset":0,"nextOffset":null,"totalCharacters":594,"complete":true},"rightsUrl":"https://www.videohistoryproject.org/terms-service"}