{"id":7274,"title":"Norman Cowie","kind":"bio","url":"https://www.videohistoryproject.org/norman-cowie","version":"3f0b5c466cc220929e3114efffad8957a48d0b51c0f4a357538b70d3553b530c","modified":"2011-06-17T23:59:36+00:00","credits":[],"authorKeys":[],"subjects":["bio"],"metadata":[{"label":"First name","value":"Norman","url":null},{"label":"Last name","value":"Cowie","url":null}],"citations":{"page":"\u0022Norman Cowie.\u0022 Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/norman-cowie.","publication":null,"risUrl":"https://www.videohistoryproject.org/citation/7274.ris"},"links":[],"sections":[{"name":"body","source":"VHP record body","generated":false,"characters":887},{"name":"summary","source":"existing VHP generated summary","generated":true,"characters":688}],"content":{"section":"body","source":"VHP record body","generated":false,"text":"Ranging from collaborative documentaries to video art, Norman Cowie\u0027s work interrogates the relations of power and domination in contemporary society and seeks to complicate the ways in which meaning and consent are constructed through the media. Cowie\u0027s videotapes often use the techniques of documentary, off-air appropriation, and short form sound and text collage. Currently a video producer and a professor of media theory and production, Cowie has been drawn towards media literacy as an activist and pedagogical tool. \u0022Scenes from an Endless War\u0022, supported by Finishing Funds in 2002, was recognized by Best Experimental Documentary (tied), Iowa City International Documentary Festival, 2003 Director\u0027s Citation, Black Maria Film and Video Festival, 2003 Best Short Film, Melbourne Underground Film Festival, 2003. His work is distributed by Video Data Bank. www.normancowie.com.","offset":0,"nextOffset":null,"totalCharacters":887,"complete":true},"rightsUrl":"https://www.videohistoryproject.org/terms-service"}