{"id":7394,"title":"Jason Freeman","kind":"bio","url":"https://www.videohistoryproject.org/jason-freeman","version":"988468b3268ec9a9c65445e5c67e333ffd84d378339be3371ecba5ed6135a43e","modified":"2011-06-17T23:59:53+00:00","credits":[],"authorKeys":[],"subjects":["bio"],"metadata":[{"label":"First name","value":"Jason","url":null},{"label":"Last name","value":"Freeman","url":null}],"citations":{"page":"\u0022Jason Freeman.\u0022 Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/jason-freeman.","publication":null,"risUrl":"https://www.videohistoryproject.org/citation/7394.ris"},"links":[],"sections":[{"name":"body","source":"VHP record body","generated":false,"characters":542},{"name":"summary","source":"existing VHP generated summary","generated":true,"characters":481}],"content":{"section":"body","source":"VHP record body","generated":false,"text":"Composer and media artist, Freeman combines mathematical structures, musical intuition and the excitement of live performance into works that challenge audiences to approach music and sound in new ways, and that often blur the boundaries between art and technology and between composer, performer and listener. Freeman\u0027s interactive works have been featured at the Lincoln Center Festival, Transmediale, and Boston CyberArts, and in the New York Times and Billboard, which called N.A.G. \u0022an example of the Web\u0027s mind-expanding possibilities.\u0022","offset":0,"nextOffset":null,"totalCharacters":542,"complete":true},"rightsUrl":"https://www.videohistoryproject.org/terms-service"}