{"id":7994,"title":"Ned Sublette","kind":"bio","url":"https://www.videohistoryproject.org/ned-sublette","version":"efa19ad119c6141df1fbe1033ce38559665eb78d7bcae160c6c60b3d6401c736","modified":"2011-06-18T00:00:59+00:00","credits":[],"authorKeys":[],"subjects":["bio"],"metadata":[{"label":"First name","value":"Ned","url":null},{"label":"Last name","value":"Sublette","url":null}],"citations":{"page":"\u0022Ned Sublette.\u0022 Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/ned-sublette.","publication":null,"risUrl":"https://www.videohistoryproject.org/citation/7994.ris"},"links":[],"sections":[{"name":"body","source":"VHP record body","generated":false,"characters":2353}],"content":{"section":"body","source":"VHP record body","generated":false,"text":"Ned Sublette was born in 1951 in Lubbock, Texas. Bilingual in English and Spanish since childhood, he grew up in Louisiana, Texas and New Mexico and moved to New York in 1976. His range of musical experience is unusually broad, ranging from original musicological field work in New Mexico, to conservatory study in classical guitar and composition, to aggressive loud-guitar bands, to cutting-edge Latin music. In the downtown New York new music scene of the 70s and 80s, he worked with artists ranging from John Cage to La Monte Young to Glenn Branca to Peter Gordon\u0027s Love of Life Orchestra. In 1982, he started The Ned Sublette Band (\u0022It wasn\u0027t country punk,\u0022 he recalls, \u0022because all the musicians could really play\u0022) with a gig at CBGBs. He became a fixture on the downtown New York club circuit, playing hundreds of gigs with a rotating cast of New York\u0027s best players at such notorious and legendary nightspots as Danceteria, the Pyramid Cocktail Lounge, Tramps (the old one) and the Lone Star Cafe. By the mid-80s he gravitated toward the salsa scene (\u0022It was the best music in town,\u0022 he says) and his inspirations grew increasingly Latin. In January 1990, he traveled to Cuba for the first time and was inspired to co-found Qbadisc, the first American record label dedicated to marketing contemporary Cuban music in the U.S. He was soon recognized as a major U.S. advocate for Cuban music, introducing American audiences to Cuban artists as diverse as Los Mu\u00D2equitos De Matanzas and NG La Banda as well as Celina Gonz\u00B7lez, Issac Delgado, Carlos Varela and Orlando \u0022Maraca\u0022 Valle. In 1998, he also produced the outstanding debut album by the New York-based Puerto Rican group Viento De Agua, and for seven years, he served as senior co-producer of Afropop Worldwide, heard over Public Radio International. He is currently working on a book about Cuban music. Singer-songwriter-guitarist-bandleader-producer, Ned Sublette is one of the most original figures on the New York music scene, and COWBOY RUMBA (PALMCD2020-2), his debut solo album on Palm Pictures, is equally, and exquisitely, unique. COWBOY RUMBA is just what the name implies: Ned\u0027s lyrics, compositions and vocals combine with a dream team of all-star musicians from Cuba, the Dominican Republic, Puerto Rico, the New York salsa scene and . . . Texas, for an utterly danceable ride.","offset":0,"nextOffset":null,"totalCharacters":2353,"complete":true},"rightsUrl":"https://www.videohistoryproject.org/terms-service"}