Steve Reinke: The Hundred Videos, Edited by Philip Monk. Toronto, Ontario, Canada: The Power Plant, 1997.

National Report on the Arts: A research report on the economic and social importance of arts organizations and their activities in the United States, with recommendations for a national policy of public and private support.. New York, NY: The National Committee for Cultural Resources., 1975.

"Eighth Annual New York Digital Salon." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. 33, no. 5 (2000).

Jones, Bill T.. The MIT Press. Continuous Replay: the Photographs of Arnie Zane., Edited by Jonathon Green. Cambridge, MA: The MIT Press, 1999.

The Kitchen: Center for Video and Music 75-76. Library of Congress Catalogue No. 76-56972.. New York, NY: Haleakala, Inc., 1976.

Official Program of the 1973 International Computer Arts Festival. April 1 - 14, 1973., 1973.

Themes in Electronic Image Processing. NY, NY: The Kitchen, 1981.

Poster for the 2nd Annaul Video Arts Festival. May 1973., 1973.

Image/Process I. NY, NY: The Kitchen, 1982.

Performance by Nam June Paik and Charlotte Moorman at The Kitchen. June 29, 1972.., 1972.

Image/Process II. NY, NY: The Kitchen, 1983.

January 1975 Programs. Exhibition by artists from ETC.., undated.

ID/entity: Portraits in the 21st Century. New York, NY: The Kitchen, 2002.

Kitchen Calendar November 1973. Live performance by Walter Wright on the Paik Abe Video Synthesizer. November 2, 1973., 1973.

Digital Happy Hour. New York, NY: The Kitchen, 2001.

From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997.

Varela, Willie, and James Irwin. Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.

Visions of Diaspora. Tempe, AZ: The Institute for Studies in the Arts at Arizona State University., undated.

@ Guggenheim: The Guide to the Guggenheim Museums: The Worlds of Nam June Paik.. New York, NY: Solomon R. Guggenheim Museum, 2000.

The Evolutionary Girls Club (Not to be Mistaken for the Old Boys Club). Rochester, NY: PEP Studios, 2002.

The Evolutionary Girls Club. Rochester, NY: PEP Studios, 2003.

The Evolutionary Girls Club. Rochester, NY: PEP Studios, 2001.

Evo: The is a Reality Check. Rochester, NY: PEP Studios, 2003.

Feature Presentation: Black Box Video Shorts (+). Ewing, NJ: The College of New Jersey, 2000.

"Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.

The Cat Fund: The Contemporary Art Television Fund. Boston, MA: The Cat Fund, 1988.

Cancel, Luis R., and Julie Saul. Moholy-Nagy, Fotoplastiks: The Bauhaus Years.. Bronx, NY: The Bronx Museum of the Arts, 1983.

"various." Black Face, no. Premiere (1989): 46.

Richards, Catherine, and Mary Anne Moser. Angles of Incidence: Video Reflections of Multimedia Artworks. Banff, Alberta, Canada: The International Council for Computer Communication and The Banff Centre for the Arts, 1993.

The American Film Institute. News. Festival Track II: Cultural Identities and Regional Styles. The Other New York: Regional Reflection.. Los Angeles, CA: The American Film Institute, undated.