Biblio
Panasonic VTR/CCTV Catalog includes WV-380P, WV-341P, WV-241P, Mini Studio System, Accesories., undated.
Panasonic VTR/CCTV Product Catalog., undated.
Peter Campus. Syracuse: Everson Museum of Art., undated.
Poetics: State of the Art., undated.
Preface to At Arm's Length (Taking a Good Hard Look at) Artists' Video., Edited by Barbara Osborn., undated.
Preservation in the Digital World." CLIR Reports January, no. 1998 (undated).
"Prime Image Operations Manual for TBC+ Digital Video Time Base Corrector + Digital Effects.. Saratoga, CA: Prime Image, Inc., undated.
Program (1971)., undated.
Programs and Activities (1997, 1998)., undated.
Programs of the Art and Science Laboratory., undated.
Programs of the Electronic Music Foundation., undated.
Paik-Abe Vieo Synthesizer: as freely as Picasso, as colorfully as Renoir. Korea: Nam June Paik Art Center, 2011.
Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor." Leonardo 40, no. 5 (2007): 463-467.
"Personal Recollections., 2004.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Preserving the Rhizome ArtBase." Rhizome (2002).
"Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
"Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.
Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
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