- Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty Bibliography
Report on the Robert Flaherty Film Seminar at Vassar College marking its 50th year; founded in 1955 by Frances Flaherty, the week-long program convened filmmakers, museum programmers, writers, students, and distributors for screenings, public and small-group discussions, and retrospectives. Programmer Susan Oxtoby (Cinematheque Ontario) juxtaposed documentary and experimental work and presented films including Brault and Perrault's Pour la Suite du Monde (1963), Ulrike Ottinger's Taiga (1992), Bruce Conner's Crossroads (1976), Marlon Riggs's Tongues Untied (1989), and Juan Manuel Echavarria's Bocas de Ceniza (2004). Panels debated media circulation strategies from a national Arte-style TV network to straight-to-DVD and internet distribution, and screenings provoked discussions of verite ethics, representation, and archival/experimental practice.
- Michel Auder: Chronicles and Other Scenes Bibliography
Michel Auder: Chronicles and Other Scenes. Sections of this catalog follow: Foreword by Linda Shearer, Director, June 2004, Michel Auder: Chronicles and Other Scenes by C. Ondine Chavoya, Endnotes, and an Exhibition Checklist. Subsections of Michel Auder: Chronicles and Other Scenes by C. Ondine Cha…
- New York State Council on the Arts Annual Report 1969-70 Groups
The report documents NYSCA-supported film and media activities including a Young Filmmakers Albany South End workshop sponsored by Upper Hudson Library Federation, Aldo Tambellini working with elementary students at a television studio, and high school students screening films in Yorktown. It records Elaine Summers’ Electric Kinetic Gymnasium at C.W. Post College on Long Island planned to use twenty-four projectors. The Young Filmmakers Foundation and the Film Club on Rivington Street were chosen for pilot financial assistance; the report includes quotations from Howard Taubman and W. McNeil Lowry.
- De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real Bibliography
Plenary address to the Society for Cinema Studies, Chicago, March 9, 2000; delivered by a film educator with two decades in a four-year undergraduate production program. The speaker maps an expanded field—film schools, communications, arts and medical curricula—and moving-image media (film, video, CD-ROM, web, installations), and diagnoses threats from corporatization, distance learning and declining nonprofit exhibition. Citing exchanges with NAMAC, Women Make Movies and the Robert Flaherty Seminar and referencing 1989 political events and global violences, they call for alliances with media-arts centers and offer ten programmatic wishes including anti-racist feminist politics, tenure lines and larger rental and programming budgets.
- Maureen Turim People
Maureen Turim earned a BA (1973), MA (1975) and PhD (1978) from the University of Wisconsin-Madison; her studies included periods in France at L'Université d'Aix-Marseille (1971—72), L'…cole des Hautes …tudes and Paris III (1973—74). She taught at the State University of New York at Binghamton from 1977 until joining the UF faculty in 1991; she is author of Abstraction in Avant-Garde Films (Ann Arbor: UMI Research Press), Flashbacks in Film: Memory and History (New York: Routledge), and The Films of Oshima: Images of a Japanese Iconoclast (Berkeley: University of California Press). Turim has published over fifty essays in anthologies and journals on cinema and related fields, with several translated into French and German; she has also written catalogue essays for museum exhibitions.
- Wago Kreider/ Studio 27 People
Education 2002 MFA Mason Gross School of the Arts, Rutgers University - Visual Arts (Media) 1996 MA University of California, Berkeley - Rhetoric (Film Studies) 1992 MA S.U.N.Y. at Buffalo - Humanities (Media Study/English) 1990 BA University of California, San Diego - Visual Art (Media) Screenings …