- Alan Berliner People
Alan Berliner is a filmmaker of experimental documentaries including Wide Awake (2006) and The Sweetest Sound (2001); his films have been broadcast internationally and featured at major festivals. His work is taught in university documentary and film history courses and held in permanent collections including the Museum of Modern Art; he received Rockefeller, Guggenheim and Jerome fellowships, grants from the National Endowment for the Arts and New York arts agencies, and has won three Emmy Awards with six nominations. He served on festival juries including the 2007 Sundance Documentary Jury and received IDA awards in 1993 and 2006.
- Video: The Reflexive Medium Bibliography
Sara Hornbacher, Guest Editor, frames eleven articles and reviews and includes Barbara Londons Selected Chronology covering 196393 to outline the brief history of video art. Contributors examine technological and institutional change, including Benjamin Buchloh on developments since the mid-1960s; Katherine Dieckmann on Electra at the Mus6e d'Art Moderne de la Ville de Paris (1984); Lucinda Furlong on image-processed video and Nam June Paik and the marketing of portable video equipment by SONY/Japan; and the rise of media centers funded by state and federal agencies and university programs. Hornbacher is a visual artist, curator and artist-in-residence at The Experimental Television Center, Owego, New York, since 1976.
- David Hall People
Bibliography (2002–2010) lists books, articles and an online entry related to video art, including Film Art Phenomena (Nicky Hamlyn, British Film Institute, 2003); Everything Seemed Possible (Richard Cork, Yale University Press, 2003); Video Art: A Guided Tour (Catherine Elwes, I.B. Tauris, 2005); A History of Video Art (Chris Meigh-Andrews, Berg, 2006); and 100 Video Artists (EXIT Publications/FundaciÛn ICO, 2010). Selected exhibitions (2003–2006) document presentations and installations at Tate Britain, FACT Liverpool, Galeria Wschodnia and Polish universities, De La Warr Pavilion, Dundee Contemporary Arts and Museo Nacional Centro de Arte Reina Sofia (Madrid), and include thematic video- and television-focused shows such as First Generation: Art and the Moving Image 1963-1986, Test Transmissions and Analogue (touring until 2008).
- International Video Art Symposium Bibliography
texts: Wulf Herzogenrath (Video Artists and Television as a Medium); Ian Murray (Support Structures for Artists Working with Videotape; Susan Britton (Video Lunch); Paul Wong (Making Video: Cable Access, Artists Cooperatives, Fees and Rights); Reprints from "Video as a Community or Political Tool", …
- "A Special Videotape Show" Chronology
A Special Videotape Show at the Whitney Museum of American Art in New York City; part of the New American Filmmakers Series organized by David Bienstock. The program presented videotapes by Isaac Abrams, Shridhar Bapat, Stephen Beck, John Randolph Carter, Douglas Davis, Dimitri Devyatkiin, Ed Emshwiller, Richard Felciano, Carol Herzer, Joanne Kyger, Richard Lowenberg, Alwin Nikolais, Nam June Paik with Charlotte Moorman, Charles Phillips, Terry Riley, Eric Siegel, Skip Sweeney, Aldo Tambellini, Steina and Woody Vasulka, WGBH-TV and Robert Zagone.
- The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt Interview
John Hanhardt is curator of film and video at the Whitney Museum of American Art in New York City; he integrated video into the Whitney’s exhibition program and curated the Nam June Paik retrospective in 1982. Trained at NYU with a MoMA internship, he became Whitney department head in 1974 after serving at the Walker Art Center; he organized Projected Video (1975) and Re-Vision (1979) and placed video in Biennials from 1973. He secured Rockefeller Foundation funding to equip the theater, is writing Expanded Form in Film and Video (due spring 1983), and pursued touring and distribution via the AFA.