Hocking, Sherry Miller. Looking Back/Looking Forward: A Symposium on Electronic Media Preservation., 2003.

Hocking, Sherry Miller. "The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).

Hocking, Sherry Miller. "Reflections from Owego." The Squealer (1990).

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Jones Sequencer in Experimental Television Center Studio System Manual., 1980.

Hocking, Sherry Miller. Want Ads., 1972.

Hocking, Ralph. G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Switch, Mix, Compare., 1978.

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Special Effects Generator - excerpt from the Experimental Television Center Studio System Manual., 1980.

Hocking, Sherry, Richard Brewster, Walter Wright, Jason Bernagozzi, and Dave Jones. Construction of a Raster Manipulation Unit - Revision by Jason Bernagozzi at Signal Culture, 2016. Owego, New York: Experimental Teleision Center and Signal Culture, 2016.

Hocking, Sherry Miller, and Richard Brewster. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Paik/Abe Colorizer - Experimental Television Center Studio System Manual., 1980.

Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.

Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).

Hocking, Sherry Miller. "Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. Fall/Winter 2002 (2002).

Hocking, Sherry Miller. Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Jones Keyer in Experimental Television Center Studio System Manual., 1980.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Signals., 1978.

Hocking, Sherry Miller, and Jeffrey Schier. Descriptions of the Image Processor.

Hocking, Ralph. Sponsors Sell Networks Develop., 1972.

Hohendahl, Peter. The Institution of Criticism. Ithaca: Cornell University Press, 1982.

Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).

Holman, David, and Bruce L. Holman. A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.

Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.

Hones, Luke. Reel to Real: A Case Study of BAVC's Remastering Model., 2002.

Hoone, Jeffrey. "Many Hands: Light Work's First 25 Years Jeffrey Hoone (1998)." Contact Sheet 97: 25th Anniversary Edition, no. 1998 (1998).

Hoptman, Laura. "The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).

Horitz, Robert. "Chris Burden." Artforum (1976).

Horkheimer, Max, and Theodor W. Adorno. Dialectic of Enlightenment. Translated by John Cumming. NY: Seabury Press, 1977.

Hornbacher, Sara. Path of Dreams: Video in the Boroughs. Locus Communications and the Newhouse Gallery, 1983.

Hornbacher, Sara. Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.