Biblio

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Zusman, Neil. Post Currents: A Gallery of Electronic Arts. Buffalo, NY: University of Buffalo, 1988.
Reidy, Robin. "Pop Pop Video." American Film (1980).
Gever, Martha. "Pomp and Circumstances: The Coronation of Nam June Paik." Afterimage 10, no. 3 (1982).
Downing, John. Political Video in the United States: A Statement for the 1990s. In At Arm's Length (Osborn) which see.., 1990.
Bernstein, Charles. Poetics: State of the Art., undated.
Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
Dunn, David. Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Ross, Mary. Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
"Picture of Video Bed." Arts Magazine 47 (1973).
Weibel, Peter. "Pictorialer Raum in der elektronishen Kunst." Ars electronica (Supplement) (1986).
D'Agostino, Peter, and Lew Thomas. Photography: The Problematic Model, Edited by Peter D'Agostino. San Francisco: NFS Press, 1981.
Lyotard, Jean-Fransois. "Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).
Meigh-Andrews, Chris. "Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor." Leonardo 40, no. 5 (2007): 463-467.
Moore, Alan. "Peter Campus, Andy Mann, Ira Schneider, Tom Marioni at the Everson Museum of Art." Artforum, no. 12 (1974).
Ross, David A.. Peter Campus. Syracuse, NY: Everson Museum of Art,, 1974.
Kurtz, Bruce. "Peter Campus." Arts Magazine (1973).
Peter Campus. Syracuse: Everson Museum of Art., undated.
Gordon, George N.. Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.
Haller, Robert. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Haller, Robert A.. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
"Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.
Edgar, Robert. Personal Recollections., 2004.
Persci, Inc.. Persci Installation and Maintenance Manual for Dual Diskette Drive Model 277. West Los Angeles, CA: Persci, Inc., 1977.
Depocas, Alain. Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Dasgupta, Gautam, and Christopher Ho. Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Performance by Nam June Paik and Charlotte Moorman at The Kitchen. June 29, 1972.., 1972.
Bronson, A. A., and Peggy Gale. Performance by Artists, Edited by A. A. Bronson. Toronto: Art Metropole, 1979.
Loeffler, Carl. "Performance Art." ART COM 4, no. 16 (1982).

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