Conrad, Peter. Television: The Medium and Its Manners. London: Routledge, 1982.

Text from a Sales Brochure., undated.

Harari, Josue V.. Textual Strategies, Edited by Josue V. Harari. Vol. 1979. Ithaca, NY: Cornell University Press,, undated.

Hill, Gary. Thank you for a residency.., 1975.

Viola, Bill. Thank you for the loan of the video projector.., 1974.

Davidson, Steven, and Gregory Lukow. The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.

Marcuse, Herbert. The Aesthetic Dimension. Boston: Beacon Press, 1978.

and Sanders, Don Susan. The American Drive-In Movie Theatre. Hong Kong, Hong Kong: World Print, Ltd., 1997.

The American Film Institute. News. Festival Track II: Cultural Identities and Regional Styles. The Other New York: Regional Reflection.. Los Angeles, CA: The American Film Institute, undated.

Sandin, Daniel. The Analog Image Processing Component of the Circle Graphics Habitat. self-published, undated.

Sandin, Daniel J.. The Analog Image Processing Component of the Circle Graphics Habitat. Chicago, IL: University of Illinois at Chicago Circle, undated.

Gerbner, George. The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.

Foster, Hal. The Anti-Aesthetic. Washington, 1983.

Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.

The Arp Electronic Music Synthesizer. Newto Highlands, MA: Tonus, Inc., undated.

Em, David. The Art of David Em: 100 Computer Paintings. NY: Harry N Abrams, 1988.

Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.

Kirby, Michael. The Art of Time. NY: E. P. Dutton, 1969.

Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.

The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.

Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.

Price, Jonathan. The Best Thing on Television: Commercials. Baltimore: Penguin, 1978.

Innis, Harold. The Bias of Communication. Toronto: University of Toronto Press, 1951.

Rifkin, Jeremy. The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.

Lane, Giles. The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.

Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.

Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.

Arlen, Michael. The Camera Age. NY: Farrar, Straus and Giroux, 1981.

DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.