Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.

Foster, Hal. The Anti-Aesthetic. Washington, 1983.

Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.

Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).

Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.

Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).

Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.

Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.

Forde, Kathleen. What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.

FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.

FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.

Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.

Foley, Tod. DayTrippers Core Rules In DayTrippers Core Rules. 1.0 ed. Las Vegas, NV: As If Productions, 2015.

Flexer, Robert J., and Gio Wiederhold. A Building Block Approach to Color Graphics (excerpted) In Computer Graphics Quarterly. Vol. 13., 1979.

Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.

Larson, Roger, and Paula Jarowski. Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.

1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.

Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.

Fifield, George. The Paik/Abe Synthesizer - from Not Still Art Festival 2000 Catalog. Cherry Valley, NY: Not Still Art, 2000.

Fifield, George. The Vision of Fred Barzyk: The WGBH New Television Workshop 1968 - 1978 George Fifield., undated.

Fifield, George. "The Digital Atelier." Art New England (1997).

Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.

Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.

Fessler, Floyd. "Has TV Finally Become An Art?" California Living (1973).

Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).

Fernseh GMBH Portable TV-Transmission Equipment KS9D. Darmstadt , Germany: Fernseh GMBH, 1965.

Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.

Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies). Darmstadt , Germany: Fernseh GMBH, 1965.

Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.

Fenton, Kirk. "Bringing TV To the People." Pipe Dream (1971).