A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.

Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

Aldighieri, Merrill. Confessions of a Pixil-Picker., 2004.

Allen, Charles R.. Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Ancona, Victor. "Vibeke Sorensen: Demystifying Video Technology." Videography 4, no. 2 (1979).

Ancona, Victor. "Nam June Paik: Portrait of the Electronic Artist." Videography 1, no. 4 (1976).

Ancona, Victor. "Visual Music." Videography 8, no. 12 (1983).

Ancona, Victor. "Shalom Gorewitz: Metaphoric Image Manipulator." Videography 5, no. 11 (1980).

Ancona, Victor. "Barbara Buckner: Psychic Poetry Exemplified." Videography 4, no. 8 (1979).

Ancona, Victor. "Jazzing Up the Home Screen (Carol Goss)." Videography 4, no. 10 (1979).

Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).

Arthur, Paul. "Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty." Film Comment (2004).

Beck, S. C.. Direct Video: An Electronic Artform for Color TV. San Francisco, CA: National Center for Experiments in Television at KQED, undated.

Beck, Stephen. "Direct Video: Electronic Artform for Color Television." National Center for Experimental in Television Reports 3 (undated).

Betancourt, Michael. "Motion Perception in Movies and Painting: Towards a New Kinetic Art." Ctheory (2002).

Bjorgeengen, Kjell. Kjell Bjorgeengen: New Videoworks. The National Museum/ The Museum of Contemporary Art, 2004.

Bode, Peer. Bode videotapes 2003., 2003.

Bode, Peer. UBER ORGAN ( body of life )., 2003.

Bode, Peer. Some Thoughts on Learning by Reading the Tools: Embodying the Time Image., 2003.

Bode, Peer. Open Source. China Light Industries, 2001.

Bode, Peer. Kjell Bjorgeengen: Video Road. Oslo: Porin taidemuseo, 1990.

Bode, Peer. Kjell Bjorgeengen - True Blanking. Aachen: Ludwig Forum for Internationale Kunst,, 1998.

Boyer, Jean-Pierre. L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.

Boyle, Deirdre. "From Portapak To Camcorder: A Brief History Of Guerrilla Television." Journal of Film and Video 44, no. 1 – 2 (40545) (1992).

Boyle, Deirdre. "Subject to Change: Guerrilla Television Revisited." Art Journal: Video - The Reflexive Medium, no. Fall 1985 (1985).

The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.

Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.

Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Buckner, Barbara. "Healing Interactions and Interactive Digital Art - News and Project Statement." Afterimage (2001).

Burris, Jon. "Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).