Biblio
Driven to Abstraction., 1998.
Ralph Hocking and the Experimental Television Center." Videoscope 1, no. 2 (1977).
"Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
"A Statement on Video., 1979.
Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach." National Center for Experimental in Television Reports 3 (undated).
"Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
"Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.
Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.
Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Transnational Documentaries: A Manifesto." Afterimage (1997).
"A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
NYS Council on the Arts 1969-70: Executive Director's Statement. NY, NY: New York State Council on the Arts, 1970.
Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.
(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).
"G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.
The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
"Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
"Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
The Evolution of Thinking Machines." The Squealer (2004).
"Reflections from Owego." The Squealer (1990).
"Hocking is "Champion of the Arts"." unknown (1989).
"Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).
"