Biblio

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G
Gattegno, Caleb. Towards a Visual Culture: Education through Television. New York, NY: Avon Books, a division of the Hearst Corporation, 1969.
GBC Mini-Max CTC-3000/3500 Series Closed Circuit TV Camera Operation/Service Manual (2 copies).. NY, NY: GBC Closed Circuit TV Corp., undated.
GBC Operating Manual for Portable Color Camera Model CTC-5X. NY, NY: GBC Closed Circuit TV Corp., undated.
Gear, Josephine. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1353, Folder 2, General Electric Chassis UA.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
General Electric Company Television Service Manual S-CL-56-2 Covers Models 2IT500, 2IC700, 2IC701, and UHF. Syracuse, NY: General Electric Company, 1956.
General Electronic Systems Inc. (GESI). Video Graphics Workstation (VG-1).. Berkeley, CA: General Electronic Systems Inc. (GESI), 1983.
Cable Assembly 24 pins camera for Industrial TV., 1956.
Schematics for various Industrial Cameras, Video Amplifier, Control Panel, Interconnecting Wiring Diagrams, Power Supply, Sweep Chassis., 1953.
Schematics for G.P.L. Sync Generator., 1962.
General Radio Company Operating and Maintenance Instructions for Type 1530-A Microflash. Cambridge, MA: General Radio Company, 1957.
Gentle Electric. The Gentle Electric Model 101 Pitch and Envelope Follower. Finally, a reliable and versatile instrument-to-synthesizer interface for the professional musician.. Delta, CO: Gentle Electric., 1983.
Gerbner, George. The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.
Gessner, Robert. The Moving Image: A Guide to Cinematic Literacy. New York, NY: E. P. Dutton & Co., Inc., 1968.
Gever, Martha. "An interview with Martha Rosler." Afterimage 9, no. 3 (1981).
Gever, Martha. "Pomp and Circumstances: The Coronation of Nam June Paik." Afterimage 10, no. 3 (1982).
Gever, Martha. "Video Politics: Early Feminist Projects." Afterimage 11, no. 40545 (1983).
Gever, Martha, and Laddy Kite Marita Sturken. "Mary Lucier's Elemental Investigations." Afterimage 9, no. 7 (1982).
Gever, Martha. "Underdeveloped Media, Overdeveloped Technology." The Independent 8, no. 7 (1985).
Gever, Martha. "Meet the Press: On Paper Tiger Television." Afterimage 11, no. 4 (1983).
Gigliotti, Davidson. Abstract Painting 1960-1969: Video Art in the Sixties. Long Island City, NY: Institute for Art and Urban Resources, 1982.
Gilbard, Florence. "An Interview with Vito Acconci: Video Works 1970-78." Afterimage 12, no. 4 (1984).
Gill, Johanna. Artists' Video: The First Ten Years (1965-1975). Ann Arbor, NY, 1977.
Gillette, Frank, James Harithas, and Willoughby Sharp. Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, undated.
Gillette, Frank. Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.
Gillette, Frank. Aransas: Axis of Observation. Houston: Points of View, 1978.
Ginsberg, Merle. "Video Art's Greatest Hits: Kit Fitzgerald and John Sanborn." Soho Weekly News (1981).
Gitlin, Todd. Watching Television: A Pantheon Guide to Popular Culture, Edited by Todd Gitlin. NY: Pantheon,, 1986.
Gitlin, Todd. The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.

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