Biblio
New York State Council on the Arts Annual Report 1980-81. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1981.
New York State Council on the Arts Annual Report 1984-85. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1985.
New York State Council on the Arts Annual Report 1977-80. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1980.
New York State Council on the Arts Annual Report 1988-89. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1989.
New York State Council on the Arts Annual Report 1983-84. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1984.
New York State Council on the Arts Annual Report 1987-88. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1988.
New York State Council on the Arts Annual Report 1982-83. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1983.
Video Preservation Symposium. NY, NY: NYSCA, 1991.
TV: The Most Popular Art., Edited by Horace Newcomb. NY: Doubleday, 1974.
Television: The Critical View, Edited by Horace Newcomb. New York, NY: Oxford University Press, 1976.
Exhibition of Computer Graphics in Collaboration with the SIGGRAPH '83 Exhibition of Computer Art, Edited by Laurin Herr. Japan: Hakuhodo Incorporated, 1983.
Ideology and the Image: Serial Representations in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
Nieuwe Workshop in de Beursschouwburg: Video & beeldende kunst, arts plastiques, plastic arts.. Brussels, Belgium: Beursschouwburg (Nieuwe Workshop), 1984.
Present Tense Technology." Democrary 3, no. 4 (1983).
"Present Tense Technology." Democrary 3, no. 3 (1983).
"Present Tense Technology." Democrary 3, no. 2 (1983).
"The Beginnings of Computer Art in the United States: A Memoir." Leonardo, no. September (1994).
"Nonsequitor: Experimental Music, Sound, and Language. Albuquerque, NM: Nonsequitor, Inc., undated.
The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
Steina & Woody Vasulka: Video Works, Edited by Lori Zippay. Tokyo, Japan: NTT InterCommunication Center (ICC) Theater, 1992.
"Technology Makes Us... A Special Issue." The New York TImes Magazine 1997 (1997).
Challenge for Change at NYU: Conference Papers. NY, NY: NYU Media Co-op, 1971.
American History/American Television: Interpreting the Video Past. New, Edited by John E. O'Connor. NY: Frederick Ungar Publishing, 1983.
Sound Track for a Tele-vision in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Can Your TV Pass His Literacy Test?" Sun-Bulletin (1972).
"Modernism, Phantasy and Avant-Garde Film." Undercut, no. 40606 (1982).
"Sequencer Plus 64 Track Midi Sequencer/Editor Software; Voyetra Eight Programmable Eight-Voice Polyphonic Synthesizer Sales Literature.. Yonkers, NY: Octave Plateau Electronics, Inc., undated.
Microline 82 Matrix Printer Operator's Manual. Tokyo, Japan: Oki Electric Industry Company, Ltd., undated.