Biblio

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M
McIntosh Owner's Manual for Model MPI 4 Maximum Performance Indicator.. Binghamton, NY: McIntosh Laboratory, Inc., 1973.
McIntosh MC 2100; MC 250, 275 Solid State Stereo Amplifier Sales Literature.. Binghamton, NY: McIntosh Laboratory, Inc., undated.
McHale, John. "Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
McHale, John. "Buckminster Fuller's Geodesic Dome." (1956): 1-5.
McHale, John. "Universal Requirements Check List." Architectural Design (1960).
McGriff, Teresa. "The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
McGee, Micki. "Narcissism, Feminism, and Video Art: Some Solutions to the Problem of Representation." Heresies, no. 12 (1981).
McGee, Micki. "Artists Making the News: Artists Re-Making the News." Afterimage 10, no. 4 (1982).
McDonnell, Maura. Visual Music: Notes for a Lecture., 2003.
McDarrah, Fred. "Scenes from An Avant-Garde Festival." The Village Voice (1972).
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
McCarthy, Kevin, Elizabeth H. Ondaatje, and Laura Zakaras Arthur and Brooks. Gifts of the Muse: Reframing the Debate About the Benefits of the Arts. RAND, 2004.
McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
McArthur, Donald, and Richard Brewster. Buss Indicator. Binghamton, NY: Experimental Television Center, 1977.
McArthur, Donald, and Walter Wright. Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
McArthur, Donald. Computer Based Video Synthesis System: Interface of LSI-11 Computer to Video Image Processing System., 1977.
Service Manuals for National Portable VTR Model NV-3082E. Osaka, Japan: Matsushita Electric Co., 1972.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Marshall, Stuart. "Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
Marshall, Stuart. Recent British Video. London: Onlywomen Press, undated.
Marshall, Stuart. "Video Technology and Practice." Screen 20, no. 1 (1979).
Marque. Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Marks, Laura U.. "Images Of Intermedia." Afterimage (2000).
Margolies, John. "TV The Next Medium." Art In America 57, no. 5 (1969).

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