Biblio
Descriptions of Programs (1973, 1977, 1997) In Public Access Celebration: July 6,7,8, 1972 Report on Public Access in New York. NY: Public Access Report, 1973.
Digital Art (World of Art). London: Thames & Hudson, 2003.
Det Syntetiske Bilde. Oslo: Kunstnernes Hus Oslo, 1991.
Dream Machines., 1974.
Documenta 6. In German.. Kassel: Druck Verlag GMBH, undated.
Double Vision by Peter Campus., 1978.
Design / Electronic Arts Poster. Buffalo, NY: Media Study Buffalo, 1977.
Dwight MacDonald on Movies. Englewood Cliffs, NJ: Prentice- Hall, Inc., 1969.
Digital Currents: Art in the Electronic Age. Routledge, 2004.
David Ross Thoughts on Video." Artweek 9, no. 33 (1978).
"Dear Chloe. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Designlab: FB-1 (Frame Buffer) User Guide and Fine Print from Amiga: Multiple shade-of-gray printing on normal dot-matrix printers.. Owego, NY: Designlab, 1988.
Designlab: CL-2 Quantizing Colorizer Operator Manual. Owego, NY: Designlab, undated.
Dave Jones 4 Channel Colorizer. Owego, New York: Experiemental Television Center, 1984.
Dear David. San Francisco, CA: National Center for Experiments in Television, undated.
Dialectic of Enlightenment. Translated by John Cumming. NY: Seabury Press, 1977.
Definitions., 1977.
Diary of Correspondence: 1979. Mid-York Library System, 1980.
Disappearing Through the Skylight: Culture and Technology in the Twentieth Century. NY: Viking, 1989.
Don Hallock's Videola." Bay Guardian Calendar September 20 through October 4, 1973 (1973).
"Du Mont's Handbuch der Video Praxis. Koln: DuMont Buchverlag, 1982.
Digi-Presenter Manual. New York, New York: New York State Council on the Arts, 2005.
Driven to Abstraction., 1998.
Dissonant Landscapes: A collection of Videotapes. self-published, undated.
Digital Visions: Computers and the Arts. New York, NY: Harry N. Abrams, Inc., 1987.
Digital Visions: Computers and Art. NY: Harry N Abrams, 1987.