Biblio
Television: The Medium and Its Manners. London: Routledge, 1982.
The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
"The Incredible Electric Animation Machine News, 3-D Cardboard Model of Scanimate Computer System. Denver, CO: Computer Image Corp., 1973.
The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Techniques for Multiple Generation Color Videotapes- Today and Tomorrow. Elk Grove Village, Illinois: Ampex Corporation Research and Engineering Corporation, 1966.
Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
"The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Waukegan, Illinois: Cherry Electrical Products Corp., undated.
Trent Harris: Beaver Trilogy." Film Comment (2000).
"The Dream that Kicks. London: Routledge, 1980.
The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
The Practice of Everyday Life. Translated by Steven F. Randall. Berkeley: University of California Press, 1984.
The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
The World Viewed. Cambridge: Harvard University Press, 1979.
Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
"The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
" The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
The Structure of Art. NY: Braziller, 1970.
Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.