Biblio
The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Tools by George Brown., 2020.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.
The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
"The Look of Things. NY: Viking Press, 1972.
The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
The Phosphotron." SEND 9 (1984).
"The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.
The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
"TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
"The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.
The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
The Flaherty." Wide Angle 17, no. 40547 (undated).
"Tube of Plenty. NY: Oxford Press, 1975.
The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
The Austrian Video Festival. Sydney, 1986.
The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.
"The Issue of Video Art." Artscanada 30, no. 4 (1973).