Biblio
Ars Electronica: Facing the Future: A Survey of Two Decades (Electronic Culture: History, Theory, and Practice), Edited by Timothy Druckrey. MIT Press, 2001.
Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"DSC Digital Services Corporation Composite Eclipse ECL 4000 Operations Manual with EFE option.. Gainesville, Florida: DSC Digital Services Corporation, 1988.
Talking Faces, Eating Time, and Electronic Catharsis." National Center for Experimental in Television Reports 2 (undated).
"Talking Faces, Eating Time, and Electronic Catharsis. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Nam June Paik." Canal, no. 49 (1982).
"Les videos de Thierry Kuntzel." Parachute, no. 38 (1985).
"Be a Musician, You'll Understand Video. Catalogue of the National Video Festival.. Los Angeles: American Film Institute, 1986.
The Luminous Image Video Installation." Camera 0bscura, no. 13/14 (1985).
"Howard W. Sams & Co., Inc. Photofact Folder, Set 1353, Folder 1, Dumont Models 25DC10W, 25DC11S, 25DC12M, Color TV.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Film Is. Woodstock, NY: Overlook Press, 1975.
Instruction Manual for Dynair Model VS-121B Video Switcher-Fader (2 copies); Hum Reduction in Video Systems. San Diego, CA: Dynair Electronics, 1966.
Dynair Video Switching Techniques Product Catalog; Television Equipment Short Form; Video Output Amplifier Model DA-5150B; Switch Module SW-5100A; Series-5100 Video Switching System; "Facts About Multiple-Input Multiple-Output RF Switching".. San Diego, CA: Dynair Electronics, 1966.
Dynaquip Edit Code Master model 3800 Instruction Manual. Burlington, Canada: Dynasciences, 1980.
Dynasciences Video Products. Blue Bell, PA: Dynasciences, 1975.
Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.
Technology Delivers People." The Squealer 15, no. 1 (2004): 16.
"What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.
Walter Benjamin, or, Towards a Revolutionary Criticism. New Left Books, 1981.
Literary Theory: An Introduction. Minneapolis: University of Minnesota Press, 1983.
Criticism and Ideology. London: Verso Editions, 1978.
Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.
"A Theory of Semiotics. Bloomington: Indiana University Press, 1976.
Embracing Digital Ruptures." The Squealer 15, no. 1 (2004): 2.
"Personal Recollections., 2004.
A Context for First-Generation PC Art Times and Aesthetics in the Early Days of the Personal Computer: 1970s - 1980s.. http://www.robertedgar.com/Articles/RBE_LEA_Context4FirstGenPCArtists.htm, undated.
12th Annual Black Maria Film and Video Festival. Jersey City, NJ: Edison Media Arts Consortium, 1992.