Biblio
Les Immateriaux." Art and Text 17 (1985).
"Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).
"The Dream-Work Does Not Think." The Oxford Literary Review 6, no. 1 (1983).
"The Postmodern Condition: A Report on Knowledge." Theory and History of Literature 10 (1984).
"Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
"High Theory/Low Culture: Analyzing Popular Television and Film, Edited by Colin MacCabe. NY: St. Martins Press, 1986.
Movies Before Cinema." Wide Angle 16, no. 40545 (undated).
"The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.
A Critical Cinema 3: Interviews with Independent Filmmakers. University of California Press, 1998.
A Critical Cinema: Interviews with Independent Filmmakers. University of California Press, 1988.
Dwight MacDonald on Movies. Englewood Cliffs, NJ: Prentice- Hall, Inc., 1969.
Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
Kinetic Art: Theory and Practice, Selections from the Journal Leonardo, Edited by Frank J. Malina. New York, NY: Dover Publications, Inc., 1974.
10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Cinematography: A Guide for Film Makers and Film Teachers. New York, NY: Van Nostrand Reinhold Company, 1973.
Women, Art, and Technology, Edited by Judy Malloy. Cambridge , MA: MIT Press (Leonardo Series), 2003.
Women in New Media: Sources in Art and Technology. Cambridge, MA: MIT Press, 2003.
Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press, 1974.
Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
The Language of New Media. MIT Press, 2001.
Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
New Media in Late 20Th-Century Art (World of Art). Thames & Hudson, 1999.
The Aesthetic Dimension. Boston: Beacon Press, 1978.
TV The Next Medium." Art In America 57, no. 5 (1969).
"Images Of Intermedia." Afterimage (2000).
"Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Recent British Video. London: Onlywomen Press, undated.