Biblio
Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
Southland Video Anthology 1975. Long Beach, CA: Long Beach Museum of Art, 1975.
Southland Video Anthology 1976-77. Long Beach, CA: Long Beach Museum of Art, 1977.
Epistemological TV." Art Journal 34, no. 2 (1975).
"Video, Technology, and the Educated Artist." The Independent 8, no. 5 (1985).
"It's The Thought That Counts: Video As Attitude." Afterimage 11, no. 3 (1983).
"TVTV/Video Pioneers: 10 Years Later." SEND (1983).
"Guts and Fortitude: Video Art and K. Huffman Put the LBMA on the Map." High Performance 7, no. 1 (1984).
"Abscam: Video in Crime and Justice." Video 81 2, no. 1 (1981).
"Lorex Pro Model CVC6990 1/3" Submersible Camera Operator Instructions and Warranty. Markham, Ontario, CAN: Lorex Pro, undated.
Digital Currents: Art in the Electronic Age. Routledge, 2004.
Post Modern Currents: Art and Artists in the Age of Electronic Media. Ann Arbor: University of Michigan, 1985.
Art and Artists in the Age of Electronic Media. Ann Arbor: University of Michigan, 1989.
The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
The Sixth International Video Exchange Directory, Edited by Sharon Lovett. Vancouver: Press Gang Publishers, 1978.
Seventh Annual Asian American International Video Festival, Edited by David Low. NY, NY: Asian Cinevision, 1989.
1983 Asian American International Film Festival, Edited by David Low. NY, NY: Asian Cinevision, 1983.
Cinema Department - Rebels with a Cause." Pipe Dream (1972).
" Letter of invitation to Ralph Hocking and Nick Ray to work at the TV Lab at WNET. November 28, 1972., 1972.
Are you still blam: Temporary Housing for the Despondent Virtual Citizen. O.K Center for Contemporary Arts Upper Austria, undated.
Why do I keep repeating myself?" Felix Voyerism 2, no. 2 (1999).
" The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.
Pedagogy of Film/Video Issue." Journal of the University Film Association 32, no. 4 (1980).
"Wegman's World. Minneapolis: Walker Art Center,, 1982.
The Dream-Work Does Not Think." The Oxford Literary Review 6, no. 1 (1983).
"Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).
"Les Immateriaux." Art and Text 17 (1985).
"Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
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