Biblio

M
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Marshall, Stuart. "Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Martinez, Charles, and A. L. Rees. "Taka Iimura Interview." Intercut 9 (1984).
Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Service Manuals for National Portable VTR Model NV-3082E. Osaka, Japan: Matsushita Electric Co., 1972.
Operating Instructions manual NV-3130., undated.
McArthur, Donald, and Richard Brewster. Buss Indicator. Binghamton, NY: Experimental Television Center, 1977.
McArthur, Donald, and Walter Wright. Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
McArthur, Donald. SAID (Spatial and Intensity Digitizer)., 1976.
McArthur, Donald. Design and Operation of the Spatial and Intensity Digitizer., undated.
McArthur, Donald. Computer Based Video Synthesis System: Interface of LSI-11 Computer to Video Image Processing System., 1977.
McArthur, Donald. Computer Systems Approach to Video Art., 1975.
McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
McCarthy, Kevin, Elizabeth H. Ondaatje, and Laura Zakaras Arthur and Brooks. Gifts of the Muse: Reframing the Debate About the Benefits of the Arts. RAND, 2004.
McDarrah, Fred. "Scenes from An Avant-Garde Festival." The Village Voice (1972).
McDonald, Laurie. "The Electron Movers: Research in the Electronic Arts, Inc." Videoscope 1, no. 1 (1976).
McDonnell, Maura. Visual Music: Notes for a Lecture., 2003.
McGee, Micki. "Narcissism, Feminism, and Video Art: Some Solutions to the Problem of Representation." Heresies, no. 12 (1981).
McGee, Micki. "Artists Making the News: Artists Re-Making the News." Afterimage 10, no. 4 (1982).
McGriff, Teresa. "The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
McHale, John. "Buckminster Fuller's Geodesic Dome." (1956): 1-5.
McHale, John. "Universal Requirements Check List." Architectural Design (1960).
McHale, John. "Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
McIntosh Loudspeaker Sales Literature Model ML 4 C; ML 1 C; ML 2 C; L3C; ML 2 M; ML 4 M; L3M.. Binghamton, NY: McIntosh Laboratory, Inc., undated.

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