Biblio

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Kirby, Lynne. The Electronic Gallery - Perceptual Process and Processed Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Shores, Patricia. The Electronic Gallery - Television Culture and Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
Jacobs, Lewis. The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
EMS, Jennifer Morris. The EMS Spectre Video Synthesizer Handbook.. London, England: EMS, 1974.
Reilly, John. The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.
Walley, David G.. The Ernie Kovacs Phile. New York, NY: Simon & Schuster, Inc., 1975.
Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
The Evolutionary Girls Club. Rochester, NY: PEP Studios, 2003.
"The Experimental Television Center exhibition at the Everson Museum, September 19 - October 1, 1972." (1972).
The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.
Loewinger, Larry. The Fab Formation (of a Media Arts Organization)., undated.
Gardner, John. The Famous TV Trouble Shooter: Fix Your Set Yourself. This Book Shows you How to Do It. Up-to-Date Revised Edition.. New York, NY: Authentic Publications, Inc., undated.
Warshawski, Morrie. "The Festival That's Worth the Trip." Videography 10, no. 12 (1985).
Metz, Christian. "The Fiction Film and Its Spectator: A Metapsychological Study." New Literary History 8, no. 1 (1976).
The Film., undated.
Manoogian, Haig P.. The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.
Youngs, Amy M.. "The Fine Art of Creating Life." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Barnouw, Erik, and Patricia Zimmermann. "The Flaherty." Wide Angle 17, no. 40547 (undated).
Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
Rose, Brian. "The Future of Cultural Programming." Videography 11, no. 5 (1986).
Noriega, Chon A.. The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.

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