Biblio
Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.
The Computer: A Tool for Thought-Experiments. Salt Lake City, UT: University of Utah, Department of Communication.
New York Media Group Spins Its Reels in Rochester." Afterimage (1983).
"Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"Television/Society/Art symposium, The Kitchen." Afterimage (1981).
"Concepts in Performance: Taka Iimura." Soho Weekly News (1979).
"Electronic Linguistics: Taka Iimura." ArtWeek 11, no. 41 (1980).
"Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.
The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
"Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
"Video Conference Held at Albany." Afterimage (1974).
"Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
"The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Ralph Hocking and the Experimental Television Center." Videoscope 1, no. 2 (1977).
"Gerald O'Grady: The Perspective from Buffalo." Videoscope 1, no. 2 (1977).
"The Kitchen." Videoscope 1, no. 2 (1977).
"Motion Perception in Movies and Painting: Towards a New Kinetic Art." Ctheory (2002).
"Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
"Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
"Educational Communications Centers and the Television Arts Conference: November 22, 1974 - Media, Information and Then? In Educational Communications Centers and the Television Arts Conference: November 22, 1974. Vol. November. University Center at Albany, 1974.
The Film., undated.
Confessions of a Pixil-Picker., 2004.
Back to the Future of Television: National Center for Experiments in Television Preservation Project Progress Report." MAIN (1999).
"The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
"Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
A Brief History of "6673". New York, New York, 2003.
Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
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