Biblio
"The Video Issue." Lightworks 1, no. 5 (1976).
Light Work. Contact Sheet 97, 25th Anniversary Edition.. Syracuse, NY: Light Work, 1998.
Once Is Not Enough. Rochester, NY: Visual Studies Workshop, 1990.
The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"John Knecht: Animating Destiny. Castellani Art Museum of Niagara University, 1997.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Kino: A History of the Russian and Soviet Film. Princeton, NJ: Prlnceton University Press, 1983.
Future Video: Max Almy." LAICA Journal 38 (1983).
"Media Bio-Tech Rehearsal." Video 80 1 (1980).
"Camera Art." Studio International 190 (1975).
"The Programmer's Genitals." SEND 2, no. 1 (1983).
"The Information Fallout." Studio International 181 (1971).
"Small Format TV." SEND 10 (1985).
"Synchromism and American Color Abstraction, 1910-1925. New York, NY: The Whitney Museum of American Art, 1978.
Leviathan - Effects of Televisio., undated.
Superocheros." Wide Angle 21, no. 3 (1999).
" The Video Stretch." Daily News (1973).
"Lenco PBB-321B Black Burst Generator Instruction Manual; PSD-340B System Delay Module; PCB-320 Color Bar Generator; PVA-350 Video Distribution Amplifier; PSG-310 Sync Generator; PFM-300B and PPS-302 Frame and Power Supply. Jackson, Missouri: Lenco Inc. Electronics Division, undated.
Sales Lit for Leitch VSS-160N; SPG-100N; ACO-101; 600 Series Distribution Amplifiers; CTG 200N; CTG-210N; CTG-220N; SPG-110P; others. Scarborough, Ontario, CAN: Leitch Video Limited, 1977.
Making the Transitory Permanent: The Intellectual Heritage in a Digitized World of Knowledge." Daedalus 125, no. 4 (1996).
"Abstract Film and Beyond. Cambridge: MIT Press, 1977.
Access Film and Video Equipment: A Directory. NY, NY: Printing Center for Cultural Resources, 1978.
Hidden Images: Games of Perception, Anamorphic Art, and Illusion from the Renaissance to the Present. New York, NY: Harry N. Abrams, Inc., 1975.
Hybrid." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"Lectrotech Instruction Manual for Model V-7 Color Generator and Vectorscope. Chicago, Illinois: Lectrotech, undated.
Artist and Computer, Edited by Ruth Leavitt. New York: Harmony Books, 1976.
Notes on William Wegman." Artforum 13, no. 7 (1975).
"The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.