Biblio

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
A
A Short Form Catalog featuring C Series, L Series, I Series DTL and TTL Micrologic. Natick, MA: Control Logic Inc., 1974.
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
Acconci, Vito. A Retrospective1969 to 1980. Chicago: Museum of Contemporary Art,, 1980.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Ross, David. "A Provisional Overview of Artists' Television in the United States." Studio International, no. 191 (1976).
Ancona, Victor. "A Profile of Video Art Distributor Anna Canepa." Videography 3, no. 4 (1978).
Taylor, Deems. A Pictoral History of the Movies. New York, NY: Simon and Schuster, 1943.
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
Sturken, Marita. "A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
Furlong, Lucinda. "A Manner of Speaking: An Interview with Gary Hill." Afterimage 10, no. 8 (1983).
Caulfield, Bill. "A Man and His Music." The Sun-Bulletin (1972).
Ancona, Victor. "A Look at Castelli-Sonnabend Film and Tape." Videography 2, no. 1 (1977).
Meigh-Andrews, Chris. A History of Video Art. Oxford-New York,: BERG, 2006.
Rees, A. L.. A History of Experimental Film and Video. British Film Inst, 1999.
A Guide to Programming the Fairchild F-8 Microcomputer, Revision A. Mountain View, CA: Fairchild Semiconductor, 1975.
A Guide to Media and Formats. Redwood City, CA: Ampex, Magnetic Tape Division., 1989.
O'Grady, Gerald. A Description of Media Study/Buffalo Film/Imagemaking Workshop (1971, 1997)., 1972.
Goldman, Debra. "A Decade of Building an Alternative Movement." The Independent 6, no. 7 (1983).
Henderson, Brian. A Critique of Film Theory. NY: E. P. Dutton, 1980.
MacDonald, Scott. A Critical Cinema: Interviews with Independent Filmmakers. University of California Press, 1988.
MacDonald, Scott. A Critical Cinema 3: Interviews with Independent Filmmakers. University of California Press, 1998.
MacDonald, Scott. A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
Rungren, Todd. "A Conversation with Todd Rungren." Videography 5, no. 4 (1980).
Youngblood, Gene. "A Conversation with Gene Youngblood." Videography 4, no. 4 (1979).
Viola, Bill. "A Conversation with Bill Viola." Videography 13, no. 1 (1988).
Tambellini, Aldo. "A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
Edgar, Robert. A Context for First-Generation PC Art Times and Aesthetics in the Early Days of the Personal Computer: 1970s - 1980s.. http://www.robertedgar.com/Articles/RBE_LEA_Context4FirstGenPCArtists.htm, undated.
Thomas, Willard. "A Computer-Animation Dream Machine." Videography 1, no. 9 (1976).
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
Whitney, John H.. "A Computer Art for the Video Picture Wall." Art International, no. 15 (undated).

Pages