- The Electronic Gallery Bibliography
The Electronic Gallery. Gary Hill. Text covers Hill's videotapes and work at the Experimental Television Center (ETC). Videography: RING MODULATION (Color/sound) 1978- 3:25 minutes, PRIMARY (Color/sound) 1978- 1:10 minutes, ELEMENTS (B&W/sound) 1978- 2 minutes, SOUNDINGS (Color/sound) 1979- 19 minut…
- Tracking Video Art: Image Processing as a Genre Bibliography
Lucinda Furlong, Curatorial Assistant in the Whitney Museum of American Art's Film and Video Department, traces the emergence of image processing as a distinct video-art genre from the late 1960s through the mid-1970s; she examines terminology, aesthetic debates, and the modernist and formalist impulses that shaped the work. The text documents early tool-builders and artists (Dan Sandin, Steina and Woody Vasulka, Eric Siegel, Stephen Beck, Bill Etra, Steve Rutt, Nam June Paik and Shuya Abe), key technologies (video synthesizers, Sandin Image Processor, Rutt-Etra, Moog, Z-Grass), institutions (Whitney Museum, Radical Software, Experimental Television Center, SUNY Binghamton, University of Illinois Circle Campus) and funding developments including a $50,000 NYSCA grant to Hocking's Center.
- Video History: Making Connections - Panels
Panels on Saturday, October 17, 1998, under Video History: Making Connections covered early digital photography, writing about video, tool development and restoration, distribution and teaching video history. The Pioneers of Digital Photography session related to an Open Space Gallery exhibition in Allentown, PA, in summer 1998 co-sponsored with Light Work. Presenters included Mary Ross; Paul Ryan; Jim Lindner (President, VidiPax), who traced magnetic materials from wire recording to the present; and representatives of DCTV, Paper Tiger TV and KAKO discussing activist video.
- Circle 8: International Forum of Super-8 Catalog Bibliography
Painter-turned-filmmaker adopted a Sony CV open-reel video camera in the late 1960s while teaching in The Bronx and funded the purchase with a bank loan; he produced experimental videotapes including CRIPPLE and KELSEY (screened at the First Documentary Festival of Global Village) and ran a Video Journal from 1971 to 1975. After returning from Europe he bought S-8 sound equipment, produced films including RUNNER (1981), learned double-system sound editing at Lindo's in Brooklyn, composed synthesized soundtracks and offered S-8 post-production in New York to clients from New England and Latin America.
- Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery Bibliography
Account of a panel conversation between Barbara London, David Ross and Constance DeJong at Hunter College Art Galleries presented in conjunction with The Experimental Television Center: A History, ETC... (Rose Goldsen Archive of New Media Art, Cornell Library; Sept 25–Nov 21, 2015). Panelists discussed histories of video and image-processing practices and named Nam June Paik, Bill Viola and Vito Acconci; Barbara London described efforts to bring video into MoMA and David Ross expressed skepticism toward some image-processed work. The attendee criticized the panel for limited attention to ETC artists, recorded Ross’s remark that one had to be stoned to watch image-processed work, and reflected on ETC technologies and practices including real-time patching, flow and works such as Global Groove and A Tribute to John Cage.
- "New Work in Abstract Video Imagery" Chronology
Exhibition New Work in Abstract Video Imagery at the Everson Museum of Art, Syracuse, 12/1-1/2/77; curated by Richard Simmons of the Everson Museum and available for travel. Photo by Carol Goss; included works by Barbara Buckner, Carl Geiger, Carol Goss, Gary Hill, Ralph Hocking, Don McArthur, Joseph Scala, Patsy Scala, Steina Vasulka, Woody Vasulka and Walter Wright.