- Images from Looking Back/Looking Forward Preservation
Looking Back/Looking Forward is a photographic record of a symposium on electronic media preservation held May 31 and June 1, 2002; the page presents images and captions from the event. Participants and subjects identified include Tony Bannon; Barbara London; Joel Chadabe; Steina and Woody Vasulka; Dan Summer; Elizabeth Weatherford; Pip Laurenson; Luke Hones; Bill Etra; Gerald O?Grady; Jean Gagnon; Karen Helmerson; Kate Horsfield; Debby Silverfine; Carole Lazio; Rachael Melman; Jim Hubbard; Kenneth Schlesinger; Mercer Media; Bill Seery; Robin Schanzenbach; and Arthur Tsuchiya.
- The Media Arts In Transition Bibliography
Texts by Ron Green, Brian O'Doherty, VIrgil Grillo, Gene Youngblood, Howard Wise, Jonas Mekas, Stan Brakhage, Nam June Paik, Shirley Clarke, Ed Emshwiller, Tony Conrad, Alvey Ray Smith, Frank Hodsoll, B. Ruby RIch, Renee Tajima, Barbara London, John Giancola, Jon Alpert, George Stoney, Bill Viola an…
- Permanence Through Change: The Variable Media Approach Bibliography
In French and English. Preface by Jean Gagnon. The Challenge of Variable Media - John Hanhardt. Digital Decay - Bruce Sterling. Berkeley Art Museum - Richard Rinehart. Franklin Furnace Archive - Tiffany Ludwig. Performance Art Festivals + Archives - Thomas Mulready. Rhizome.org - Alena Williams. Wal…
- Ericka Beckman People
Ericka Beckman holds a B.F.A. from Washington University and an M.F.A. from California Institute of the Arts; her recent exhibitions include TODI Cinema (Budapest), Rotterdam Film Festival, NGBK (Berlin), Stockholm International Film Festival, Montreal International Festival of New Media and Cinema, L'Alternativa Festival (Barcelona), Viper Festival (Lucerne), Museum of Modern Art (New York), Art Institute of Chicago, University of Southern California, BAM Music Hall (Brooklyn, NY) and Louisiana Museum of Modern Art. Her listed publications include Artist Space: 20 Years (edited by Valarie Smith, MIT Press), Processed Lives, Gender and Technology in Everyday Life (edited by Jennifer Terry & Melodie Calvert, Routledge Press) and Forest of Signs: Art in the Crisis of Representation.
- Not on the Shelf: Accounting for New York City Artists' Organizations' Bibliography
Alan Moore, an ex-artist turned scholar, describes his work in and with archives and notes that his personal archive includes a video distribution business. His dissertation traces politicized artists' organizations from the Art Workers Coalition through Art & Language, Artists Meeting for Cultural Change, Collaborative Projects, Political Art Documentation (PADD) and Group Material, spanning roughly 1969 to 1984. He discusses archival mortality, obsolete magnetic-media preservation and digital promises; he recounts a Syracuse experimental-video conference involving Ardele Lister and Ralph Hocking (Experimental TV Center) and references installations by Michael Smith and Josh White that invoke obsolete technologies.
- Revolutionary Pleasures: Wrecking the Text in Compilation Documentary Bibliography
Essay critiques the 1987 PBS weekly series Adventure, broadcast beginning January 1987 and hosted by Dodge Morgan, describing episodes such as a Yukon dogsled race, K2 and Eiger climbs, and a super-8 sailing film while highlighting the cameraperson and technologies like lightweight cameras and the remote switch. It contrasts this spectacle-oriented individualist style with new compilation documentary practices by filmmakers including Jean-Pierre Gorin, Laura Kipnis, Martha Haslanger, Chris Marker, Dusan Makavejev, Fernando Solanas, and Eduardo Coutinho, citing works (Letter from Siberia, Sans Soleil, Hour of the Furnaces, Routine Pleasures, 20 Years Later, Ecstasy Unlimited) and locating the debate within historiography, home video, satellite news, and theorists such as Habermas, Foucault, Huyssen, Eagleton, and Ewen.