Everson Museum
- Date
- 1971
Cite this record
"Everson Museum." Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/everson-museum.
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Last modified 16 May 2011
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Everson Museum, Syracuse, video department closes
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New York State Council on the Arts (NYSCA) funds The Everson Museum, Syracuse, for video exhibition program, David Ross, video curator. Funds for film and video exhibition programs, including an installation by Frank Gillette.
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The Everson Museum of Art established a video department in March 1972 with funding from the New York State Council on the Arts; James Harithas was Museum Director and David Ross served as the first video curator, followed by Richard Simmons as Curator in 1975, and the Department closed in 1981. The Department developed exhibitions, a small archive, community education programs and plans for cable TV participation; a donation from the Rosamond Gifford Foundation provided hardware and Synapse supplied post-production equipment. The archive grew to more than 200 tapes; restoration and cataloging efforts resumed under Director Sandra Trop in 1995 with Syracuse University assistance, and restored tapes were shown in 1998 during the Video History: Making Connections conference.
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Everson Video Revue was curated by Richard Simmons for the Everson Museum of Art in 1979–1980; exhibitions were held at the Everson Museum of Art (9/1–9/30/1979 and 2/1–3/2/1980), the Museum of Contemporary Art, Chicago (10/5–11/3/1979), the University Art Gallery, Berkeley (11/10–1/5/1979) and the Museum of Contemporary Art, LaJolla (February–March 1981). The program presented works by video artists and groups including Gregory Battcock, Nam June Paik, Skip Blumberg, John Margolies, Merce Cunningham, Rom DeFanti, Juan Downey, Ed Emshwiller, Kit Fitzgerald and John Sanborn, Pocket Video, Video Repetorie, Bill Viola and Lawrence Weiner.
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James Harithas reported that in March 1972 the Everson Museum established what he believed was the first video department; he credited early conversations with Nam June Paik, Frank Gilette and the museum's curator of video arts, David Ross, who began planning six months earlier. Ross developed an exhibition format, a small archive, a community-oriented education program and a plan for the museum's participation in Syracuse cable TV; a donation from the Rosamond Gifford Foundation provided the department's basic hardware; source: catalog for Work from the Experimental Television Center, September 1972.