Film Technique. Five Essays and Two Addresses by V. I. Pudovkin. Translated and Annotated by Ivor Montagu, enlarged edition. Contents break down into the following parts: I. The Film Scenario and Its Theory including Foreword, Part I. The Scenario, and Part II. The Plastic Material, II. Film Director and Film Material including Part I. The Peculiarities of Film Material, Part II. The Director and The Scenario, Part III. The Director and The Actor, Part IV. The Actor in the Frame, Part V. The Director and the Cameraman, III. Types Instead of Actors, IV. Close-ups in Time, V. Asynchronism as a Principle of Sound Film, VI. Rhythmic Problems in my First Sound Film, VII. Notes and Appendices including A. Glossarial Notes, B. Special Notes, C. Iconography of Pudovkin's Works, and D. Index of Names.
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V. I. Pudovkin. Film Technique. George Newnes, Limited. 1929.
Film Technique. Five Essays and Two Addresses by V. I. Pudovkin. Translated and Annotated by Ivor Montagu, enlarged edition. Contents break down into the following parts: I. The Film Scenario and Its Theory including Foreword, Part I. The Scenario, and Part II. The Plastic Material, II. Film Director and Film Material including Part I. The Peculiarities of Film Material, Part II. The Director and The Scenario, Part III. The Director and The Actor, Part IV. The Actor in the Frame, Part V. The Director and the Cameraman, III. Types Instead of Actors, IV. Close-ups in Time, V. Asynchronism as a Principle of Sound Film, VI. Rhythmic Problems in my First Sound Film, VII. Notes and Appendices including A. Glossarial Notes, B. Special Notes, C. Iconography of Pudovkin's Works, and D. Index of Names.
Film Form and The Film Sense: Essays in Film Theory. Two complete and unabridged works by Sergei Eisenstein. Edited and translated by Jay Leyda. Contents follow: Editor's Note, Foreword by Sergei Eisenstein, Introduction, Through Theater to Cinema, The Unexpected, The Cinematographic Principle and t…
Film Art: An Introduction. This book's contents are divided into the following parts: One: Film Production, Two: Film Form, Three: Film Style, Four: Critical Analysis of Films, and Five: Film History. Furthermore, theses parts are subdivided into the following chapters: 1. The Work of Film Productio…
An Introduction to Film. Contents follow: Part I: Cinematic Form- Seeing and Hearing Film, with subsections: Historical Overview: The Development of the Image, Space in Cinema, Historical Overview: The Development of Editing, Time in the Cinema, Historical Overview: The Development of Sound, Sound i…