- Cleaning, Remastering and Restoration Preservation
Survey of videotape cleaning, re-mastering and restoration practices; early experimenters named include Bob Harris (Anthology Film Archives), Tony Conrad (Media Study/Buffalo), Ralph Hocking (Experimental Television Center), videomaker David Schulman and staff at Electronic Arts Intermix. Methods discussed include scraping, wiping, vacuuming and baking for open-reel tape and RTI machines for cassettes; preservation-format considerations include transfer to uncompressed digital (D-2) or analog (Betacam SP) and creating two preservation masters stored in separate locations. Non-profit and commercial service providers are listed (BAVC, Vtape, VidiPax, Roland House and others); the text advises checking vendor inspection procedures, references and preserving hardware, manuals and engineer contacts.
- Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka Bibliography
Ed.'s note: This is the second in a series of articles on imageprocessed video. The first article examined the contributions of Eric Siegel, Stephen Beck, Steve Rutt Dan Sandin, and Bill and Louise Etra to the development of electronic imaging devices [see Afterimage, Vol. 11, Nos. 1 & 2 (Summer 198…
- Introduction Preservation
Sherry Miller Hocking's February 2002 introduction surveys efforts to preserve independent videotape and electronic media from the 1960s to 2002; it documents institutions and initiatives including the NEA and AFI, F/TAAC/AMIA, MoMA's 1991 symposium, Playback 1996, BAVC's remastering facility (1995), IMAP (1999), TechArcheology (2000), Preserving the Immaterial (2001) and the Looking Back/Looking Forward symposium (May 31–June 1, 2002). It identifies technical and organizational problems—videotape deterioration, obsolete equipment, dispersed collections and lack of a union catalog—and lists recommended actions such as compatible cataloging, remastering research and facilities, public and educational programs, and broader funding and coalitions.
- Agenda Preservation
Looking Back/Looking Forward: A Symposium on Electronic Media Preservation convened May 31–June 1, 2002 at Downtown Community Television Center with a reception at MercerMedia. Organized by the Experimental Television Center with IMAP and Bay Area Video Coalition and funded by the NYS Council on the Arts Electronic Media and Film Program, the program covered physical preservation and remastering (including 1/2” open reel workflows), economics, media formats, collection assessment and documentation of artists’ instruments and ephemera, with presentations by Luke Hones, Heather Weaver, Kacey Koeberer, Mona Jimenez and Sarah Stauderman.
- Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust Bibliography
historical overview of video art created for display on a single monitor, with more than 100 pieces, dating from the mid-60s through 2000, including numerous landmarks in the development of this young medium by Marina Abramovic, Gilbert & George, Acconci, Jonas, and Nauman, as well as more recent wo…
- Playback: Preserving Analog Video Chronology
Playback: Preserving Analog Video is a DVD produced by BAVC in 2003; the interactive disc presents technical practices of analog video preservation and the decision-making processes used by artists, conservators and video engineers during reconstruction of video artworks. Contents include Analog Video Basics, with animations depicting videotape composition, tape deterioration chemistry and the video signal; a Preservation Case Study illustrating a real-life preservation process; and The Eternal Frame, a 1976 video art piece jointly produced by Ant Farm and T.R. Uthco. The Center contributed research on early equipment and provided photographs, technical data and ephemera for the DVD.