- Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance Preservation
Media Alliance (founded 1979) is a New York State advocacy and service organization for independent media arts that led a 1991 national video survey and symposium with NYSCA, supported Deirdre Boyle's Video Preservation (1993), and applied to NEH for a cooperative catalog of over 8,000 titles across twelve New York institutions. The report documents Playback 1996 organized with BAVC (March 29–30, 1996) at the Museum of Modem Art with Getty and Andy Warhol Foundation funding, NAMID/FileMakerPro cataloging pilots producing over 1,800 records, and BAVC remastering and cleaning services for obsolete formats. Jim Hubbard authored the report and created Anthology Film Archives' first computer catalog under NAMID and a Jerome Foundation grant.
- Meeting the Challenges of Video Preservation Chronology
Meeting the Challenges of Video Preservation, by Jim Hubbard, with assistance from Mona Jimenez, is published by Media Alliance.
- Anthology Film Archives Chronology
Anthology Film Archives initiated a video preservation project in 1983 with pilot funding from the New York State Council on the Arts; the project aimed to identify and locate independent video-makers in the United States, borrow and rerecord video works endangered by age or format obsolescence, and preserve the re-recordings under specified temperature/humidity conditions. As of August 1983 work was underway in all three areas; the next issue of Video Texts will present a report on the project's first year.
- Video Preservation: A Report from the Trenches Preservation
A Video Data Bank author reports on videotape preservation practice and supervised preservation of the Castelli-Sonnabend collection and the compilation of 65 titles for Surveying the First Decade; core procedures described include transfers among formats (1/2" open reel, 1" IVC, 3/4" U-matic, digital), cleaning, reference copies, two masters, cataloging and storage. He details technical problems (drop-out, skew, deck differences, TBC use) and aesthetic/legal dilemmas about edits and distribution; institutional activity by BAVC, Media Alliance and MoMA and funders such as the Andy Warhol Foundation and Getty Grant Program are noted. Events cited include Playback 1996 (SFMOMA, March 29–30) and Library of Congress hearings in March 1996 in New York, Washington, DC and Los Angeles; texts by Deirdre Boyle, Jim Hubbard and Jim Lindner are referenced.
- Bob Harris People
Bob Harris holds a BA from Colgate University and an MFA from the University of California, San Diego; he served as Artistic Director of the NY State Education Department's Summer School of the Media Arts and taught at Ithaca College, UCSD, and Palomar College. He helped found the Video Department at Anthology Film Archives, was Video Curator at Anthology and PS #1 in Queens, NY from 1979 to 1986, and founded at Anthology the first video preservation project in the nation; as a film and video maker his work, including COYOTE, has won festival awards and been shown at institutions such as the Whitney Museum of American Art, Museo Laboratorio di Arte Contemporanea in Rome, Exit Art, Anthology Film Archives, and Palais de Beux Arts in Brussels.
- The Tapes are Disappearing Preservation
Account of the deterioration and neglect of independently produced videotape since the 1960s, tracing preservation concerns to NEA support for the American Film Institute and the early Film and Television Archives Advisory Committee (later AMIA); it documents the finite lifespan of videotape, the dispersal of collections, and limited resources for care. The text lists preservation initiatives including BAVC’s 1995 remastering facility, IMAP’s 1999 founding, key publications and conferences, and announces a May 2002 symposium to address remastering, economics and collection assessment; named participants and funders include Deirdre Boyle, Debby Silverfine, Luke Hones, Mona Jimenez, the Library of Congress, NYS Council on the Arts and the Getty Foundation.