- Erik Moskowitz and Amanda Trager People
Erik Moskowitz makes installations and films that examine the relationship between cinema space and gallery space; solo installation exhibitions at Momenta Art, Freight and Volume, Holiday (NYC) and Le Sous Salon (Paris); festival screenings at Impakt (Netherlands), Antimatter (Canada), Oberhausen (Germany), Experimenta (India), Press Play (Carnegie Mellon) and Experiments in Cinema (University of New Mexico); website http://www.americantrance.com/. Amanda Trager combines painting, sculpture and installation with first-person prose narrative; solo exhibitions at Momenta Art, Annika Sundvik (NYC), Clifford-Smith Gallery (Boston) and Le Sous Salon (Paris); group shows include Brooklyn Museum's Open House, NextNext Visual Art program at BAM, White Box gallery and Feature gallery (NYC); both live and work in NYC.
- Jillian McDonald People
Jillian McDonald teaches art at Pace University in New York City and curates and co-directs the Pace Digital Gallery; her critical writing and curated projects focus on performative art in temporary or unexpected places, including the online exhibition Ebay: Buy or Sell or Buy. Her work has been shown at The Whitney Museum's Artport, Year Zero One (Toronto), La Biennale de Montréal and ISEA 2004 (Talinn), and recent solo/two-person shows include vertexList, TPW and YYZ. She has received grants from The Canada Council for the Arts, Soil New Media, Turbulence, The Gunk Foundation, NYSCA, The Experimental Television Center, Thirdplace.org and Pace University, and has lectured and held residencies at DAIMON, Sagamie, La Chambre Blanche, Em-Media and Harvestworks.
- Barbara Rosenthal People
Barbara Rosenthal (born 17 August 1948) is a New York–based conceptual polyartist who has produced photographs, videos, super/8 films, objects, games, performances, book-art and interactive novelties; her work was shown at The Jewish Museum (Time and Memory: Video Art and Identity, 1988) and the Center For Photography in Woodstock (Time, Memory, and the Limits of Photography, 1995), and is held by The Whitney Museum and MoMA. She studied at the Brooklyn Museum Art School, Art Students' League (1964–66), earned a B.F.A. from Carnegie-Mellon (1970) and an M.F.A. from Queens College/CUNY (1973), and has taught at numerous institutions including Tisch School of the Arts/NYU and CUNY/College of Staten Island (teaching Writing since 1992); published books include Clues to Myself (1981), Sensations (1984), Homo Futurus (1996) and Soul & Psyche (1999).
- Deborah Johnson People
Deborah Johnson, aka CandyStations, is a multi-disciplinary artist and designer who works as a traveling video performer and has designed visuals and sets for Sufjan Stevens, Wilco, Chocolat & Akito, Calexico, and Lambchop; when home she produces web, print, animation and video projects and has exhibited worldwide in group and solo shows. In January 2008 she collaborated with Truckstop Media's Braden King and musician Shahzad Ismaily on an installation and performance at Sundance's New Frontiers, and in August 2008 she attended the Digital Media Residency at the Atlantic Center for the Arts where she worked and performed with German audio artist Carsten Nicolai. She is a Visiting Professor at the Pratt Institute in Brooklyn, NY; work examples are available at http://www.candystations.com and additional loops at http://www.vimeo.com/candystations.
- Michele Thursz People
Michele Thursz is an independent curator and director of Post Media Network; in 1999 she co-founded and directed Moving Image Gallery, NYC. Recent projects include a collaboration in a production with the electronic orphanage and artist Miltos Manetas and a guest curator role at the New Museum's Media Z Lounge organizing Cin-o-matic- Memory and the Cinematic Perception, which examined the impact of new technologies on the cinematic experience. She is organizing a group show entitled In Medias Res: Technology's Impact on Artistic Practice at Exit Art, NYC; she has consulted for http://www.Turbulence.org, a net art initiative, and for bitforms gallery, NYC, on marketing and distribution of software related art.
- Deborah Stratman People
Deborah Stratman was Adjunct Assistant Professor of Film, Video, and New Media (1998) at the School of the Art Institute of Chicago; she holds a BFA (1990) from the School of the Art Institute of Chicago and an MFA in Film/Video (1995) from the California Institute of the Arts. Her work has been exhibited at Temporary Services Gallery (Chicago), Para/Site Gallery (Hong Kong), the Latvian Museum of Foreign Art (Riga) and Smioagalleri (Reykjavik), and screened at San Francisco Cinematheque, Rotterdam, Sundance, Viennale 2002, L'Alternativa (Barcelona) and CinemaTexas. Awards and support include the Center For Land Use Interpretation (Wendover, UT), Wexner Center for the Arts (OH), Danish Film Institute Workshop (Copenhagen), Illinois Arts Council Artist's Fellowships, the Gecko Award (CinemaTexas), THAW Best of Festival and CUFF Best Experimental Film.