Long Distance Relationships: Comments on the History and Potential of Video Teleconferencing

Related records

• Reach Out and Touch Someone: The Romance of Interactivity Bibliography

  The essay traces the genealogy of interactivity in avant-garde video from nineteenth-century shifts in communal practices and the 1876 introduction of the telephone to contemporary machine-mediated intimacy; it argues that technological developments shortened distances and fostered new models of social connection. It situates the genesis of video art in the late 1960s following Sony's 1968 1/2-inch equipment, surveys artists and movements (including Nam June Paik, Douglas Davis, Alan Kaprow) and venues such as WGBH, WNET, and KQED, and discusses cable public-access, satellite projects, and interactive videodisk experiments. Specific projects cited include Douglas Davis's 1970s broadcasts, Kit Galloway and Sherrie Rabinowitz's Hole in Space (1980), Nam June Paik's Good Morning Mr. Orwell (1984), and the Lister Hill Center's 1971 New Hampshire-Vermont Interactive Network.

• Video Technology and Practice Bibliography

• Signals in Syracuse - Video History: Making Connections conference Bibliography

  Video History: Making Connections examined three decades of independent video since the late 1960s and opened with Video Rewind, organized by Deirdre Boyle; panels included Paul Ryan, Barbara London (MOMA video curator) and Parry Teasdale, with screenings such as Proto Media Primer (1970) and Calligrams (1970). A concurrent Video Preservation meeting, involving Mona Jimenez and referencing MOMA’s 1991 preservation meeting, addressed cataloging, funding and technical support; David Ross delivered a keynote at Henriks Chapel on Net Art and video’s institutional absorption. Pamela Hawkins organized a Resource Room displaying early analog and digital recording and playback equipment, processors and period publications, and panels treated writing and teaching video history.

• Kit Galloway People

  Since meeting in 1975 Kit Galloway and Sherrie Rabinowitz explored state-of-the-art multimedia communications technologies including satellites, video, computer networks and other telecollaborative media; over the last 20 years they created models giving diverse local, national and international arts communities access to complex telecommunications tools, systems and environments. Their work traces aesthetic collaboration in virtual space from analog origins to worldwide digital connectivity, and they are internationally recognized for a distinguished body of work spanning sub-genres of telecollaboration and aesthetic inquiry; their credits include many early seminal projects in telecommunications art now considered classics, website http://www.ecafe.com

• Notes on Videotape and TV Bibliography

  Kenneth Dominick examines videotape and television practice as processes that reshape inner and outer experience; he cites Paul Ryan in Radical Software (summer 1970) and frames videotape as feedback rather than mere transmission. He links the medium to Allegheny College and the Experimental Television Center's temporary presence in Meadville, noting that Allegheny will briefly gain television-producing capability. He argues for decentralization through portable recording-and-playback hardware and independent regional centers to counter network and cable control, and describes videotape's perceptual and affective effects.

• Telematic embrace : visionary theories of art, technology, and consciousness Bibliography