Video History Project

People

Margaret Morse

Margaret Morse is Professor of Film and Digital Media at the University of California at Santa Cruz.

She has written numerous articles on media, embodiment, art, aerobics, sport, food and more as well as two books Virtualities Television, Media Art and Cyberculture (Indiana UP 1998) and, as main author, Hardware, Software, Artware (ZKM and Cantz Verlag, 1997).

Cite this record

"Margaret Morse." Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/margaret-morse.

Download RIS citation
Summary

Margaret Morse is Professor of Film and Digital Media at the University of California at Santa Cruz. She has written numerous articles on media, embodiment, art, aerobics, sport and food; she is the author of Virtualities Television, Media Art and Cyberculture (Indiana UP, 1998) and, as main author, Hardware, Software, Artware (ZKM and Cantz Verlag, 1997).

Submit a change or correction

If unchecked, this will appear as a public note on the site immediately. Spam filters may delay publication, but all submissions are reviewed by staff.

Changes will be reviewed and integrated as time permits. For major changes, feel free to email [email protected].

Last modified 18 June 2011

Related records

  • Art and Artists in the Age of Electronic Media Bibliography

  • The Cybernetics of Performance and New Media Arts Bibliography

    Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. The Cybernetics of Performance and New Media Arts by Patrick Lichty.

  • Video: The Reflexive Medium Bibliography

    Sara Hornbacher, Guest Editor, frames eleven articles and reviews and includes Barbara Londons Selected Chronology covering 196393 to outline the brief history of video art. Contributors examine technological and institutional change, including Benjamin Buchloh on developments since the mid-1960s; Katherine Dieckmann on Electra at the Mus6e d'Art Moderne de la Ville de Paris (1984); Lucinda Furlong on image-processed video and Nam June Paik and the marketing of portable video equipment by SONY/Japan; and the rise of media centers funded by state and federal agencies and university programs. Hornbacher is a visual artist, curator and artist-in-residence at The Experimental Television Center, Owego, New York, since 1976.

  • Linda Iannacone People

    Linda Iannacone is an artist, video producer, activist and educator who taught video production, media literacy and visual arts to adults and youth through MNN, Educational Video Center, DCTV, Paper Tiger TV, Henry Street Settlement House and international programs in Vienna and at NGBK. With Paper Tiger TV she produced programs including Drawing the Line at Pittston (covering an 11 month coal miners strike), Staking a Claim in Cyberspace (on changing information technologies and media access), and Rock Paper, Missiles (a critique of U.S. support for the Israeli occupation of Palestine); she also produced the documentary AMOK!, about a radical gender bending circus traveling through New York City communities, and she states a belief in holistic activism employing art, music, voice and action toward social justice.

  • The Digital Dialectic: New Essays on New Media Bibliography

  • Television: Art and Information Participants Bibliography

    Television: Art and Information Participants. List of participants, such as Richard Adler, Associate Director of the Aspen Program on Communications and Society and Stephen Beck, an Electronic Videographer for the NCET (National Center for Experiments in Television). Institution/Organizer: National …