- Wayne Ashley People
Wayne Ashley is an independent new media creator, curator, and consultant who was curator of new media for Thundergulch at the Lower Manhattan Cultural Council, organizing public programming on art and technology. He collaborated on House[raw], a three-year multidisciplinary online project, and curated an online exhibit for Nikelab.com. From 1999 to 2001 he was the first Manager of New Media at BAM, where he established the New Media Department and designed Arts in Multimedia (AIM) with Bell Labs; he produced and presented works and web documentaries, curated Under_score for BAM's Next Wave Down Under Festival 2001, and holds an MA and Ph.D. from New York University.
- Erik Moskowitz and Amanda Trager People
Erik Moskowitz makes installations and films that examine the relationship between cinema space and gallery space; solo installation exhibitions at Momenta Art, Freight and Volume, Holiday (NYC) and Le Sous Salon (Paris); festival screenings at Impakt (Netherlands), Antimatter (Canada), Oberhausen (Germany), Experimenta (India), Press Play (Carnegie Mellon) and Experiments in Cinema (University of New Mexico); website http://www.americantrance.com/. Amanda Trager combines painting, sculpture and installation with first-person prose narrative; solo exhibitions at Momenta Art, Annika Sundvik (NYC), Clifford-Smith Gallery (Boston) and Le Sous Salon (Paris); group shows include Brooklyn Museum's Open House, NextNext Visual Art program at BAM, White Box gallery and Feature gallery (NYC); both live and work in NYC.
- Dara Meyers-Kingsley People
Dara Meyers-Kingsley is a film and video art curator specializing in collections management, preservation and exhibitions; she is a founding member and Director of Independent Media Arts Preservation, Inc. (IMAP) and has consulted for VidiPax. She served as Director of the Film and Video Collections at The Andy Warhol Foundation for the Visual Arts (1993–1996) and as film and video program curator at The Brooklyn Museum (1987–1993), organized 20 exhibitions, curated the touring Adrian Piper retrospective MEDI(t)Ations (1999–2001), and served on granting panels and selection committees for arts organizations.
- Pioneers of Digital Photography Bibliography
Mary Ross curated Pioneers of Digital Photography at Open Space Gallery, Allentown, Pennsylvania in 1998 and lectured at the Video History conference at Syracuse University, Oct. 16–18, 1998; the exhibition was supported by the Pennsylvania Council for the Arts and private foundations. The essay surveys 1960s–1980s artists who combined photographic processes with electronic and digital media, assembling 60 works by 18 artists. It documents technologies such as photocopiers, Kirilian photograms, Portapak recorders, video synthesizers and early computers at Experimental Television Center, citing practitioners Nam June Paik and Sonia Landy Sheridan.
- Tracking Video Art: Image Processing as a Genre Bibliography
Lucinda Furlong, Curatorial Assistant in the Whitney Museum of American Art's Film and Video Department, traces the emergence of image processing as a distinct video-art genre from the late 1960s through the mid-1970s; she examines terminology, aesthetic debates, and the modernist and formalist impulses that shaped the work. The text documents early tool-builders and artists (Dan Sandin, Steina and Woody Vasulka, Eric Siegel, Stephen Beck, Bill Etra, Steve Rutt, Nam June Paik and Shuya Abe), key technologies (video synthesizers, Sandin Image Processor, Rutt-Etra, Moog, Z-Grass), institutions (Whitney Museum, Radical Software, Experimental Television Center, SUNY Binghamton, University of Illinois Circle Campus) and funding developments including a $50,000 NYSCA grant to Hocking's Center.
- Mary Magsamen and Stephen Hillerbrand People
Mary Magsamen and Stephan Hillerbrand are multi-media artists, curators and new media activists who have collaborated for five years and been exhibited nationally and internationally. Hillerbrand has received National Endowment for the Arts and Art Matters grants; Magsamen has received the Longwood Cyber Residency; both hold Masters degrees from Cranbrook Academy of Art and were awarded the 2003 Lower Manhattan Cultural Centers Artist-in-Residence Workspace Program at the Woolworth Building for their collaborative project Das Angstbauen. Their artist statement cites fantasy, role-playing and self-portraiture and a stream-of-consciousness method using digital image acquisition and manipulation to create video work.