New York State Council on the Arts Annual Report 1972-73
"It is too early to say precisely what the art of video comprises, but the Council has been a positive supporter in the search to find out"
NYSCA 1972-73 Film Program
As organizations devoted to the independent cinema grew stronger in 1972-73, the work of independent filmmakers continued to reach wider audiences and receive more serious attention. Council support contributed to the stabilization of such centers as the Millennium Film Workshop and the Circle Film Forum in New York City and Media Study, Inc. in Buffalo,where film showings concentrate on the work of contemporary film artists. Council grants helped to continue the New American Filmmakers Series at the Whitney Museum of American Art and to expand the services of study centers at the Anthology Film Archives and the film department of The Museum of Modern Art. Support was also continued for the exhibition of theatrical films by grants to The Film Society of Lincoln Center for the tenth New York Film Festival; to Upstate Films, in Rhinebeck, for its presentations of children's programs, and repertory cinema for adult audiences; and to a number of library systems throughout the State for long-term lease of 16mm films for multiple showings in member libraries.
Services provided by the Council-supported Media Equipment Resource Center (MERC) increased appreciably, confirming the long-range economy of free short-term loan of equipment on which the Center is based. The Young Filmaker's Foundation, which administers MERC, has evaluated at almost $500,000 the equipment and services provided over a two-year period for a diverse 'group of more than three hundred individual artists and organizations on the basis of Council support totaling $125,000.
Although funds available for film projects were smaller in 1972-73 than in the two previous years, the variety of programs aided was maintained. Activities supported included movie showings in neighborhood parks in Albany, Binghamton, Buffalo, Ithaca, New York City, and Rochester, and in Nassau and Westchester Counties. Major support also went to workshop movie-making sponsored by such organizations as the Earlville Opera House, the Nineteenth Ward Community Association in Rochester, The Film Workshop of Westchester, the Upper Hudson Library Federation, and Women's Interart Center and Women Make Movies, both in New York City.
In 1972-73 the Film and Video Bureau, a subsidiary of the Film Speakers Bureau, administered a long-standing Council program of financial assistance to schools, film societies, and other organizations for a variety of film and video services. The Bureau provided matching funds up to $300 for film rentals, matching funds up to $150 for appearances by film speakers, and partial fees for video artists who demonstrated and talked about their work. Some organizations also received partial support for rental of videotapes. A geographical listing of this activity appears on page 143.
The combination of libraries, museums, community arts centers and non-commercial theatres exhibiting movies in 1972-73 offered unprecedented opportunities to partake of the extraordinary breadth of the film medium. Council support for film activity in New York State totaled over $500,000 and affected 60 groups and institutions. An alphabetical listing of organizations receiving Council funds for film activities appears on page 69.
Film assistance in 1972-73
Anthology Film Archives, see Film Art Fund.
The Arts Center on Maryrose Campus, Albany. $600 for film rentals for an international film series for children.*
Brooklyn Arts and Culture Association (BACA). $1,500 for administrative costs of a festival showing of the works of new filmmakers in Prospect Park.*
Brooklyn Public Library. $3,000 for the long-term leasing of 16mm films for distribution to ten branch libraries presenting a Family Night Film Showcase for Brooklyn audiences.
Carroll Gardens Association, Brooklyn. $8,500 for the salaries of a director, an assistant, and two instructors, and for film stock, processing ex-penses, and materials for a neighborhood film workshop for young people.
Chautauqua-Cattaraugus Library System, Jamestown. $15,000 for the long-term leasing of 16mm films for member libraries, and for the salary of a film librarian.
Circle Film Forum, New York City. $11,500 for administrative salaries and rentals of works by independent filmmakers to acquaint general audi- ences with noncommercial films and give exposure to films "rarely screened in commercial theatres.
Clinton-Essex Counties Council on the Arts, Pittsburgh. $430 for film rentals for the Plattsburgh Film Society's community film series.*
Clinton-Essex-Franklin Library, Plattsburgh. $4,000 for the long-term leasing of 16mm films for distribution to member libraries throughout the tri-county area.
Committee for a Second Festival, Rochester. $7,500 for an administrative salary and expenses for specialized festival activities including children's programs, video and multimedia events, film workshops, and community experiments in filmmaking.
Community Communication Foundation, Buffalo. $3,500 for the salary of a teacher and supplies for training in film and television in Buffalo's black community.
Community Education Collaborative, East Setauket. $4,000 for the salary of filmmaker-in-residence Karl Epstein, and for materials and related expenses for a nine-week residency.*
Council for the Arts in Westchester, White Plains. $250 for film rentals for a fall film festival for White Plains and surrounding communities.*
Earlville Opera House. $5,000 for a director's salary and for film stock and processing expenses for a film workshop for teenagers, adults, and senior citizens; and for film rentals for weekend film festivals serving Earlville, Hamilton, Morrisville, Sherburne, and other Madison and Chenango County communities.*
Educational Film Library Association, New York City. $13,780 for the salaries of an information officer and an assistant serving organizations and individuals throughout the State.
Film Art Fund, New York City. $9,800 for the sal-aries of a director, two assistant directors, and a projectionist, and for materials for the study center at Anthology Film Archives.
The Film Society of Lincoln Center, New York City. $30,000 for production costs of the tenth New York Film Festival.
Film Speakers Bureau, New York City. $35,000 for a program providing matching funds for rental of films and videotapes and for fees for lectures on films, filmmaking, and video presented at schools, community centers, libraries, and museums throughout the State. A geographical listing of the activities of the Bureau appears on page 143.
The Film Workshop of Westchester, Tarrytown. $1,300 for a director's salary for a program of filmmaking courses, lectures, and film showings for the community. Free Movies, New York City. $5,000 for salaries and film and equipment rentals for outdoor showings of a variety of contemporary short films in Albany, Binghamton, Buffalo, Hempstead, Mamaroneck, Rochester, Syracuse, and Woodstock.
Fund for Alternatives in Education, New York City. $2,000 for a film consultant's salary for community filmmaking workshops for schoolchildren.*
Greater Middletown Arts Council. $2,000 for film rentals and operating expenses for silent film presentations at state hospitals, senior citizen cen-ters, and nursing homes.*
Hamilton Hill "Drop-In" Arts and Crafts Center, Schenectady. $2,250 for the salary of a film teacher for workshop programs for children and young adults.
Hamilton-Madison House, New York City. $1,000 for film stock and processing expenses for a chil-dren's film workshop.*
Henry Street Settlement, New York City. $15,790 for salaries of a director for a 16mm film work-shop and an assistant instructor for a Super-8 workshop for young children and teen-agers.*
Hornell Area Arts Council. $750 for a film instruc-tor's salary and equipment rentals for filmmaking workshops for students, adults, and senior citizens.
The Hudson River Museum, Yonkers. $4,000 for the salary of an instructor and film stock and processing expenses for a filmmaking workshop for teen-agers and young adults.*
Hunter Arts and the Concert Bureau of Hunter College, New York City. $750 for film rentals for an experimental film series.*
Live Arts see Regional Economic Community Action Program.
The Loft Film and Theatre Center, Bronxville. $7,000 for the salary of a director for a filmmaking workshop for young people in Bronxville, Mt. Vernon, Tuckahoe, and nearby Westchester communities.
Media Equipment Resource Center (MERC) see Young Filmaker's Foundation.
Media Study, Buffalo. $20,000 for teachers' salaries and fees for resident and visiting media artists, and for equipment and space rental for a contemporary media curriculum offered to a broad cross-section of Buffalo residents.*
The Metropolitan Museum of Art, New York City. $5,000 for the salary of a teacher working with kindergarten children and their nonverbal reac-tions to film and other media.*
Mid-Hudson Libraries, Poughkeepsie. $5,000 for the long-term leasing of 16mm feature films for distribution to sixty-one member libraries in Columbia, Dutchess, Greene, Putnam, and Ulster Counties.
Mid-York Library System, Utica. $5,000 for the long-term leasing of 16mm films for distribution to member libraries in Herkimer, Madison, and Oneida Counties.
Millennium Film Workshop, New York City. $23,000 for the salaries of a director, three assistant directors, and film instructors, and for speakers' fees and film rentals for a program that includes lectures by independent filmmakers and workshops and classes in all aspects of filmmaking.
Mohawk-Hudson Council on Educational Television (WMHT-TV, Channel 17), Schenectady. $5,000 for the salary of filmmaker-in-residence Jack Ofield to produce a series of documentaries on traditional craftsmen.*
Mohawk Valley Library Association, Schenectady. $7,500 for the long-term leasing of 16mm feature films for distribution to thirteen member libraries for use by community organizations in Fulton, Montgomery, Schenectady, and Schoharie Counties.
Movies On A Shoestring, Rochester. $500 for film rentals for a film show selected from the 1972 annual amateur film festival, traveling to colleges, high schools, film clubs, hospitals, and libraries in Monroe County.
The Museum of Modern Art, New York City. $6,000 for the salary of a librarian-cataloger in the Museum's film department.*
Narcotics Education Workshop of Westbury. $2,500 for the salary of a film teacher for a film-making workshop open to the public in this Long Island community.
Nassau Library System, Garden City. $3,000 for the long-term leasing of feature films for distribution to member libraries.
Nineteenth Ward Community Association, Rochester. $9,021 for the salaries of two instructors and operating expenses for the Youth Project media workshop program in filmmaking.
North Country Library System, Watertown. $10,000 for the long-term leasing of 16mm films for distribution to sixty-one member libraries in Jeffer- son, Lewis, Oswego, and St. Lawrence Counties.
Regional Economic Community Action Program, Live Arts (RECAP), Middletown. $5,000 for instructors' salaries and for film stock and processing expenses for a community filmmaking workshop.*
The Rensselaer Newman Foundation Chapel and Cultural Center, Troy. $800 for film rentals and speakers' fees for a program on recent films of artistic significance.*
The Rye Art Center. $900 for a teacher's salary and for film stock and processing expenses for an animation workshop for elementary school- children.*
South Shore Cultural Arts Center, Point Lookout. $750 for the salary of an instructor and for film stock and processing expenses for a young peo- ple's film workshop.*
Southern Adirondack Library System, Saratoga Springs. $3,500 for the long-term leasing of 16mm feature films for distribution to twenty-eight mem- ber libraries for use by community organizations.
Suffolk Cooperative Library System, Bellport. $2,500 for the leasing of Super-8 film cartridges for distribution to member libraries for use by community organizations.
The Elaine Summers Experimental Intermedia Foundation, New York City. $1,000 for the fee of filmmaker Phill Niblock to produce Environments V, a multimedia event which premiered at the Everson Museum of Art in Syracuse and subsequently traveled to other New York State museums and institutions.*
Teachers College Press, New York City. $1,000 for translation costs of Esthetique et psychologic du cinema by Jean Mitry to provide film students, teachers, and researchers with an English edition of this classic French text on film theory.
Town of Islip, Department of Parks, Recreation and Cultural Affairs, Central Islip. $400 for rental fees for a young people's film series.
Troy Public Library. $650 for film rentals for a series of classic films.*
Upper Hudson Library Federation, Albany. $13,000 for an instructor's salary and for film stock and processing expenses for a filmmaking workshop; and for the long-term leasing of 16mm feature films for distribution to thirty member libraries in Albany and Rensselaer Counties.
Upstate Films, Rhinebeck. $12,500 for directors' salaries, operating expenses, and film rentals for general repertory cinema programs and special showings for children.
Visual Studies Workshop, Rochester. $31,000 for salaries for research and program development; for supplies and administrative costs of the Work-shop's media center; and for salaries of visiting media artists.* Wantagh 7-12 Association. $4,500 for the salary of filmmaker-in-residence Ed Emshwiller and for sup-plies for a film workshop.*
Whitney Museum of American Art, New York City. $4,000 for fees for filmmakers whose films were shown in the New American Filmmakers Series at the Museum.*
Women Make Movies, New York City. $9,000 for salaries and for film stock and processing expenses for community filmmaking workshops at the Chelsea Picture Station.
Women's Interart Center, New York City. $17,000 for a teacher's salary and for film stock and processing costs and for general administrative ex-penses for a film workshop program.*
Young Filmaker's Foundation, New York City. $92,500 for administrative salaries; for tuition of apprentices in the Foundation's Media Teacher Intern Training Program; and for administrative salaries and equipment purchase for the expan-sion of the Media Equipment Resource Center (MERC).*
Youth Film Distribution Center, New York City. $9,000 for a director's salary and film rental fees for this organization which promotes and dis- tributes films made by teen-agers.
NYSCA 1972-73 TV/Media
In 1972-73 the Council continued to encourage in its many aspects this dynamic field of creative activity. The individual grants make it apparent, however, that particular recognition has been given to video production. At the root of this is the fact that the number of applying groups using portable video equipment for community information and cultural documentation continues to increase. The tapes made by the applicants quickly reveal the range and vitality of interest. Among them are a documentary in Chinese on a Chinatown health clinic, used to acquaint residents with its services; a study of identity and communication within a family, in which playback tapes were used to encourage mutual understanding; a series on women artists in their studios, to be viewed in conjunction with exhibitions of their work; a behind-the-scenes documentary of a public television station; and a tape in which residEnts of a home for the aged examine their own community.
Somewhat like the Italian neo-realist films that followed World War II, authenticity, immediacy, and high information content take priority over production values in much of this work. Some of the strongest tapes are produced in real time, in fact, without any editing at all. But in general, production quality of tapes is improving, and at the same time recognitionof video's own aesthetic is emerging.
There is a continuing search for wider video distribution.New York City's public access cable channels remain an important facility, and a three-day Public Access Celebration supported by the Council during the past year drew attention to the opportunity that the public had to create programming for its own needs. Elsewhere throughout the State, Council-supported groups have been able to arrange with local cable stations for transmission of documentary and artistic tapes.
Artists devoted to the use of video gained access through Council assistance to the excellent facilities of the Television Laboratory at WNET, Channel 13 in New York City. An outgrowth of the Artists' Television Workshop founded at WNET two years ago with Council support and expanded with additional grants from the Rockefeller Foundation, the Laboratory is equipped with video and audio synthesizers and one-inch color production and editing facilities. The 1972-73 Council grant allocates eighty days for artists' use of the Laboratory,placing New York in the vanguard of experimental television alongside Boston (with its WGBH facilities) and San Francisco (with National Center for Experiments in Television at KQED).
The TV Lab was the prime production facility for the creation of a thirteen-week series of two-hour programs, each devoted to a different artistic discipline, prepared for cablecast on New York City's two cable television, systems. This experimental series was undertaken not only to encourage presentation of the arts on television, but to insure that arts programming achieves priority cable status so that it is no longer dependent on the once-in-a-while presentation pattern of commercial TV. A significant portion of the programs, shot with half-inch portable equipment, demonstrated the viability of what the broadcast medium had characterized as "inferior hardware." Council grants to the member stations of the New York Network established the Artist-in-Television Program during the past year, providing residency funds for a visiting video artist or filmmaker and enabling staff members to pursue experimental use of electronic space. Support for this and other TV/Media activities totaled some $635,000 in 1972-73. An alphabetical listing of the thirty-seven recipients appears on page 72.
TV/Media assistance in 1972-73
A.I.R., New York City. $4,500 for photography and editing of thirty documentary videotapes on women artists.*
Art Works on TV, New York City. $3,000 for operating expenses for a video facility at Automation House, and for production costs of a series of videotapes by artists for public access cable television.
Block of 7th Street Media Project, New York City. $5,000 for administrative salaries for community multimedia workshops on the Lower East Side. Cable Arts see Planning Corporation for the Arts.
Center for the Arts at Ithaca. $3,000 for operating expenses for community productions for cable television.
Collaborations in Art, Science and Technology, Syracuse. $17,000 for administrative salaries, production costs of multimedia projects joining art and technology, and operating expenses for CAST Productions videotapes on the arts for cable television in Ithaca and Syracuse.*
Downtown Community Television Center, New York City. $5,000 for the salaries of two codirec-tors and equipment expenses for community television programming in Chinatown and on the Lower East Side.* Educational Broadcasting Corporation (WNET-TV, Channel 13), New York City. $80,280 for continuation of the experimental Television Laboratory and for providing access to the Laboratory for New York State video artists; for development of the Paik-Abe video synthesizer; for equipment im- provements to expand the technical capability of the Laboratory; and for production costs of a ninety-minute pilot program exploring television as a creative medium to be broadcast by WNET-TV.*
Educational Television Council of Central New York (WCNY-TV, Channel 24), Syracuse. $10,000 for production expenses and salary for a two- month residency by video artist Douglas Davis as part of the Artist-in-Television Program to explore television as a creative medium.
Electronic Arts Intermix, New York City. $69,000 for administrators' and artists' salaries, operating expenses, and equipment for five programs: Perception, a technical research program to expand artists' utilization of television; the Ninth Annual Avant Garde Festival of multimedia art;
The Kitchen, a facility for presenting video and multimedia programs; Vasulka Video, a research and media production program directed by the Vasulkas; and Open Circuits planning of an international video exhibition and conference at The Museum of Modern Art.*
Everson Museum of Art, Syracuse. $14,000 for production costs of seven video exhibitions including creation of a video environment by Frank Gillette.*
Experimental Television Center, Binghamton. $52,462 for administrative and technical salaries, equipment costs, and operating expenses for a community experimental television center serving the Southern Tier.
Global Village Video Resource Center, New York City. $15,000 for production salaries and operating expenses for community video programming.
Henry Street Settlement, New York City. $1,800 for operating expenses for Pete's House Video Productions to make tapes for public access cable television.*
Huntington Public Library. $5,000 matching funds for production costs of community-oriented cultural and informational video programs.
Intermedia Institute, New York City. $25,000 for operating expenses, and for a television workshop for young people directed by Elsa Tambellini, in Brooklyn.
Ithaca Video Project. $10,000 for administrative salaries and operating expenses for a community video facility for the residents of Tompkins County.
Long Island Educational Television Council (WLIW-TV, Channel 21), Garden City. $10,000 for production expenses and salary for a two-month residency by video artist Ed Emshwiller as part of the Artist-in-Television Program to explore television as a creative medium.
Media Bus, Lanesville. $22,750 for administrative and production salaries for open video workshops conducted by the Videofreex at Maple Tree Farm; for operating expenses for Media Bus mobile workshops in video methodology for architects, historians, and other professionals; and for research in and development of video technology and portable equipment.*
Media Study, Buffalo. $30,600 for salaries for three artists-in-residence and three workshop assistants; for equipment costs; and for operating expenses for television, multimedia, and film workshops.*
Mohawk-Hudson Council on Educational Television (WMHT-TV, Channel 17), Schenectady. $10,000 for production expenses and salary for a two-month residency by documentary filmmaker Jack Ofield, as part of the visiting Artist-in-Television Program to explore television as a creative medium.*
Municipal Broadcasting System (WNVC-TV, Channel 31), New York City. $4,800 for visual materials for the continuing television series All About TV.
New York Light Ensemble, New York City. $4,700 for production costs of thirty multimedia concerts in New York State.
Open Channel, New York City. $10,000 for operating expenses for a cultural information service assisting local art groups with announcements of their activities for public access cable television.
Planning Corporation for the Arts, New York City. $75,000 for Cable Arts production of a thirteen-week series of eleven two-hour programs on the arts, each to be cablecast on a New York City municipal channel on seven consecutive nights.
Port Washington Public Library. $10,000 matching funds for the salary of the director of a community access video center.
Portable Channel, Rochester. $25,000 for five staff salaries, equipment, and operating expenses for a media equipment pool for the use of artists and community organizations in Monroe County.
The Raindance Foundation, New York City. $15,000 for operating expenses for programming for cablecast on the public access channels; for continuation of the statewide Radical Software noncommercial videotape distribution plan; and for the creation of a community information video center in Delaware County.
Rochester Area Educational Television Association (WXXI-TV, Channel 21), Rochester. $10,000 for production expenses and salary for a two-month residency by video artist Chris Parker as part of the Artist-in-Television Program to explore television as a creative medium.
St. Lawrence Valley Educational Television Council (WNPE-TV, Channel 16), Watertown. $10,000 for production expenses and salary to allow a staff member to serve a two-month residency as a video artist as part of the Artist-in-Television Program to explore television as a creative medium.
Southern Tier Educational Television Association (WSKC-TV, Channel 46), Binghamton. $10,000 for production expenses and salary for a two-month residency by video artist Walter Wright as part of the Artist-in-Television Program to explore television as a creative medium.
The Elaine Summers Experimental Intermedia Foundation, New York City. $15,000 for continuation of intermedia productions throughout New York State including production costs, equipment, and salaries.* Survival Arts Media, New York City. $15,000 for administrative, technical, and production salaries, and for operating expenses and equipment for a community video facility.
Television Arts for Popular Education (TAPE), New York City. $8,000 for operating expenses for a free editing facility for community use, and for operating expenses for a rural video project.
Western New York Educational Television Association (W NED-TV, Channel 17), Buffalo. $10,000 for production expenses and salary for a two-month residency by video artist Ed Emshwiller as part of the Artist-in-Television Program to explore television as a creative medium.
Women's I nterart Center, New York City. $3,000 for operating expenses and equipment for a community video facility and workshop.*
Women's Videotape Collective, New York City. $1,819 for portable videotape equipment for community programming for women.
Woodstock Community Video. $15,000 for administrative and production salaries and operating expenses for a community video program. Woodstock Arts Video.
NYSCA 1972-73 - Support for Media from the Film and Video Bureau and the Visiting Artists Program.
This section names the communities in which cultural activities were sponsored with assistance from Council programs in 1972-73. It provides the names of groups or institutions acting as sponsors in each community, and indicates which performers, speakers, or exhibitions were sponsored. Assistance is shown in the following order: Film Speakers Bureau, Poets and Writers, The Composer in Performance, Touring Program, Visiting Artists, Exhibitions, and Technical Assistance.
[Excerpted information for Film and Video Bureau, and the Visiting Artists Program which included media artists]
FILM AND VIDEOTAPE RENTALS ASSISTED IN 1972-73 BY THE FILM AND VIDEO BUREAU
Albany - Movies in the Parks; N.Y.S. Art Teachers Assoc.
Ancram - The Gotham Light Opera Guild
Annandale-on-Hudson - Bard College
Baldwin - South Shore YM-YWCA
Binghamton - Movies in the Parks
Brewster - Amazing Grace Media
Buffalo - Movies in the Parks
East Meadow - Movies in the Parks
Greenvale - C. W. Post College
Hempstead - Hofstra University
Huntington - Holy Family Diocesan High School
Irvington - Irvington High School
Ithaca - Movies in the Parks
Mamaroneck - Movies in the Parks
Massapequa - Professional Artist Guild of Long Island
New Rochelle - New Rochelle Senior High School
New York City - Columbia University; Elisabeth Irwin High School; Intercat '73; McBurney Branch YMCA; The New School for Social Research; New York Cultural Center;
Potsdam - Cinema Ten
Rochester - George Eastman House ; Movies in the Parks
Rockville Centre - Molloy College
Stony Brook - Movies in the Parks
Wilson - Wilson Festival of the Arts
SPEAKERS' APPEARANCES ARRANGED AND ASSISTED IN 1972-73 BY THE FILM AND VIDEO BUREAU
Auburn New York State Crafts Committee (Dean Evenson, Naomi Creenspan, Carole Zeitlin)
Baldwin South Shore YM-YWHA (Leonard Herman)
Binghamton State University of New York (Robert Fisher); Portable Video (Robert Fisher)
Burnt Hills Burnt Hills-Ballston Lake Central Schools (Dan Di Nicola)
Irvington Irvington High School (Rosalind Schneider)
Kinderhook Columbia County Council on the Arts (FredSilva)
Mastic Beach N.Y.S. English Council (Albert Craz)
New Rochelle New Rochelle High School (Arthur Bar ron, Paul Falkenberg, Susan Rice, Ami Ron, William Sloan, Cecile Starr)
New York City. Collegiate School (Cecile Starr); Columbia University (Ken Jacobs); First Inter-Arts Synergetic Space Telethon (Shirley Clarke, Margot Lewitin); Intercat '73 (Tom Carrett, Walter Cutman, Adoltas Mekas, Amy Taubin); Lubin House (Patti Bellantoni, Dan DiNicola, Ken McCabe, Burt Towne); McBurney Branch YMCA (David Devensky); The Metropolitan Museum of Art (Cecile Starr); The New School for Social Research (Arthur Barron, Rodolfo Broullon, David Greaves, William Jersey, Mark Scher, Cecile Starr, Walter Teague, David Loeb Weiss.); The New York Film Council (Chloe Aaron, fan Haag, William McClure, Jeanne Mulcahy, David Stewart, Willard Van Dyke); Theater for the New City (Ariel Dougherty, Charles Levine, lodie Lowe, loe Marzano, Scott Morris, Doris Samatowicz, Rosalind Schneider): Whitney Museum of American ArtfShirfey Clarke, Alexis Krasilovsky, Naomi Levine)
Northport Northport Public Schools (David Jackier)
Rhinebeck Orange County Community Fair (John Esposito)
Rochester N.Y.S. Art Teachers Assoc. (Burt Towne)
Staten Island Staten Island Community College (David Gearey, 1. I. Murphy, Kenny Schneider, Elaine Summers)
Wilson Wilson Festival of the Arts (Vladimir Petric, Roger Stone)
VISITING ARTISTS APPEARANCES IN 1972-73
Accord Mombaccus Art Center (Leslie Krims)
Albany State University of New York (Leiand Bell, Robert Ebendorf, Paul Georges, Harry Holl, Paul Resika)
Alfred State University College of Ceramics (Steina and Woody Vasulka)
Annandale-on-Hudson Bard College (Richard S. Field, Lucy R. Lippard, Raymond Parker)
Armonk Byram Hills High School (Robert Kaupelis)
Binghamton State University of New York (Al Di Lauro, John Grillo, Philip Pear/stem, Salvatore Romano, Sidney Simon)
Bronxville Sarah Lawrence College (Lawrence Affoway, Amy Baker, Richard Demarco, Royce Dendler, Hollis Frampton, Malcolm Morley, Robert Reed, loel Shapiro)
Brooklyn Brooklyn College of the City University of New York (Harold Rosenberg, Therese Schwartz, Robert Smithson, Marcia Tucker); The Brooklyn Museum Art School (David Di'ao, Friedel Dzubas, Mary Frank, Donald Judd, Doug Ohlson, Raymond Parker); Pratt Institute (1-ynda Benglis, Met Bochner, Allan D'Arcangelo, Virginia Cunter, David Jacobs, Robert Pincus-Witten, Dorothea Rockburne, William Wegman)
Buffalo State University of New York (Duayne Hatchett)
Catskill Catskill Public Library (Ira Schneider)
Corning Chemung Valley Arts Council (Nell Znamierowski)
Cortland State University College (Jason Seley)
Earlville Earlville Opera House (Lawrence Fried)
Flushing Queens College of the City University of New York (Bernard Chaet, Al Held)
Fredonia State University College (Daria Dorosh, Kazuko, Lucy R. Lippard, Brenda Miller, Robert Polusky, Jason Seley, Michelle Stuart, Robert Turner)Garden City Nassau Community College (Leon Colub, Jason Seley, Richard Stankiewicz)
Great Neck Long Island Craftsmen's Guild (Lenore Davies, Afice Marcoux, Olaf Skoogfors, Gerry Williams) Greenvale C. W. Post College (Stephen Antonakos, Salvatore Romano, James Wines)
Hamilton Colgate University (Friedel Dzubas, Michael Mazur)
Hastings-on-Hudson Hastings Public Schools (Maude Boltz, Claire Moore, Patsy Norvell, Barbara Zucker)
Hempstead Hofstra University Mason Sefey, James Wines)
Hoosick Hoosac School (Yvonne Rainer)
Hudson Hudson Area Association Library (Steven Kolpan)
Huntington Huntington Township Art League (Stephen Antonakos, Raymond Parker, Met Pekarsky, Sylvia Stone)
Ithaca Cornell University (Nancy Azara, Leiand Bell, David Diao, Colin Creenly, Robert Cwatbmey, Charlotte Moorman, Nam June Paik, James Wines)
Katonah Katonah Gallery (A/an Cober, Michael Coe, Marylee Handville, David Hupert, Robert Kaupelis, Bohdan Osyska, Michael Spexarth, Theodore Stebbins, Jr.)
Kingston Kingston Area Library (Ken Marsh)
Lincolndale Somers Senior High School (Anthony Toney)
Lockport Kenan Center (Rachel bas-Cohain, Kazuko, Brenda Miller)
Middletown Orange County Community College (Frederick Wardy)
Mineola Mineola Arts Center (Robert Wiegand)
New Paltz EIting Memorial Library (Steven Kolpan)
New York City Barnard College (Richard Kostelanetz); The City College of the City University of New York (Clarence Bunch, Angiola Churchill, Eliot Elisofon, Alvin Loving, Therese Scbwartz); Columbia University (John Giorno, Alex Katz, Malcolm Morley); Columbia University Teachers College (Irving Kaufman, Max Kozloff, Tania); Cooper Union (George Chaikin, Helen Frankenthaler, A. Kopp, Sherman Lee, Norbert Lynton, Ian McHarg, Odetta, Marcel Ophuls, Victor S. Pritcbett, Dorothea Rockburne, Richard Wollbeim); El Museo del Barrio (Frederico Aquino, Nitza Breitman, Irvine MacManus, Carlos Osorio, Carmen Puigdollers, Marcos Ramirez, Rafael Tufino, Maria Uyebara, Thomas Vega); John Jay College of Criminal Justice of the City University of New York (Carman Moore, Phill Niblock, John Ford Noonan, Norman Pritchard, Barry Schwartz); National Association of Women Artists (Ci'ndy Nemser); The New School for Social Research (Richard Nonas, Jenny Snider, Richard Staub); New York Institute of Technology (Gabriel Laderman, Lucy R. Lippard, Salvatore Romano); New York University (A/fee Baber, Shridhar Bapat, Manuel da Costa Cabral, Ann Cillen, Leon Colub, Klaus Kertess, Richard Kostelanetz, Howard Kottler, Antoni Miralda, Charlotte Moorman, Gianni Pettena); School of Visual Arts (/udy Chicago, Flo Kennedy, Eve Leoft, Esther Newton); St. Johns University (Caroline Keck, Philip Pearlstein, Pulsa, Ladislas Segy, Esteban Vicente); Wagner College (Therese Scbwartz); Whitney Museum of American Art (Trisha Brown, Constance De long, Robert Morris, Keith Sonnier); Women's Interart Center (Claire Moore, Marilyn Perlman)
Old Westbury State University College (Patricia Mainardi)
Oneonta Hartwick College (Robert Smithson);
State University College (Robert Smithson, George Sugarman, Carol Summers)
Potsdam State University College (John Catterall, Charles Harbutt, David Hupert, Robert Murray, Clayton Pond)
Poughkeepsie Vassar College (Robert Smithson)
Purchase State University College (Richard Artschwager,Alice Baber, Mary Frank, Lila Katzen, John Torreano, Lynton Wells)
Rochester Rochester Museum (Leon Golub); Visual Studies Workshop (David Cort, HO//IS Frampton, Pulsa)
Saratoga Springs Skidmore College (Lucy R. Lippard, Raymond Parker)
Staten Island Richmond College of the City University of New York (Harmony Hammond, Yvonne Rainer)
Syracuse Syracuse University (Stephen Antonakos, Edward Avedisian, Friedel Dzubas, Audrey Flack, Davidson Cigliotti, Ivan Karp, lason Seley, Sylvia Stone, Sidney Tillim, Christopher Williams)
Troy Rensselaer Polytechnic Institute (Yvonne Rainer,Stan VanDerBeek)Yonkers The Hudson River Museum (Ruth Bowman, Seong Moy, Cabor Peterdi, lohn Ross, Andrew Stasik)
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New York State Council on the Arts. New York State Council on the Arts Annual Report 1972-73. 1973.
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The New York State Council on the Arts 1972-73 film program supported independent cinema infrastructure, stabilizing centers such as the Millennium Film Workshop, Circle Film Forum and Media Study, Inc. in Buffalo; funded exhibition, repertory and museum programs including the New American Filmmakers Series at the Whitney and expanded study centers at Anthology Film Archives and The Museum of Modern Art. The Council backed equipment lending through the Media Equipment Resource Center administered by the Young Filmaker's Foundation, which evaluated nearly $500,000 in equipment and services after $125,000 in Council support. The Film and Video Bureau provided matching funds for rentals and speaker appearances; total film support exceeded $500,000 and affected 60 groups and institutions.
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Last modified 13 September 2026