Publication Type | Book |
Source | (1989) |
Keywords | groups |
Total Aid to Localities: $51,511,000, Media: $1,659,655 (1988-89)
MEDIA PROGRAM
Director: B. Ruby Rich
Acting Director: Arthur Tsuchiya (until January, 1989)
Program Analysts: Linda Gibson, Jerry Lindahl
In 1989-90, the media program awarded a total of $1,659,655 to 102 organizations for a total of 255 projects in the areas of video, audio, radio, or television. It was a year marked by difficulties, both economic (as Albany struggled to meet the budget deficit and the Media Program's budget changed over the course of the year) and structural (as the Council proceeded with a plan of merging the Media and Film Programs, with an implementation set for the start of the next fiscal year). Despite these difficulties and challenges, the Media Program carried out the funding of a number of notable initiatives, sustained the growth and stability of its exhibition and organizational development categories in particular, and helped a number of important new productions see the light of day.
One landmark event that catalyzed the field was the opening this year of the Museum of Modern Art's major retrospective of the work of video artist Bill Viola, made possible with the Media Program's support. Incorporating both installation work and the exhibition of videotapes, the exhibition marked the first time that the Museum has presented a retrospective of a video artist and only the second time that any New York museum has so favored the field. In this sense, it was a coming of age both for the Museum and for the field as a whole.
This museum attention to video installation was paralleled by the Media Program's concern with finding broader outlets for such work and developing sites throughout the State with an interest in the exhibition of installation work. To that end, funding went to Parabola Arts for the first phase of a new touring initiative for audio and video installations, in conjunction with the Gallery Association of New York State.
Meanwhile, on Long Island, the Inter-Media Art Center in Huntington received funds to tour a program of video art on the Island. And the Museum of the American Indian was funded to tour a new program, "Video Native American," around the State. The touring and distribution of original video works to reach new audiences has been a particular emphasis this year. The "Icono Negro" will be circulated to sites in New York State by Camera News, while Buffalo-based Hallwalls is circulating "Infermental 7," an international compilation of video art curated by Hallwalls. The Black Filmmaker Foundation was awarded funds to distribute videotapes by black makers statewide. Extending further the accessibility of new video works to the public, Upstate Films in Rhinebeck got first-time funding to begin showing video.
Radio and television play an important role in the dissemination of independent work to a broad audience. The Committee on Poetry, Inc. received funding to distribute a pioneering radio series exploring international poetry, beginning with a survey of the radio stations in New York State with an interest in innovative programming. The Educational Broadcasting Corporation (WNET-TV) continues its "New Television" series premiering innovative video, while at the same time continuing to dispense production funds that makes the completion of such work possible. A first-time grant to Staten Island Community TV is providing the public with television access as producers rather than mere consumers, through a series of production workshops to be held at its sophisticated new facilities. To enlarge awareness of audio art, the Archive for Contemporary Music has been funded to create and distribute both a catalogue and a computerized listing of its large collection.
For the field to develop, service organizations that serve the artist as well as the public are crucial. First-time support went to the Latino Collaborative, the first artist-service organization for Latino makers. Also in the category of institutional development was a special award to Camera News, enabling the hiring of a new administrative director to help stabilize this key distributor's operations. In the Buffalo area, greatly increased funding to Squeaky Wheel is intended to strengthen a young organization that has proved itself to be a vital stimulant to video production, exhibition, and training for both emerging and established talents. Artists will also get a boost from the award to Light Work Visual Studies in Syracuse, where the money will establish a video/computer studio for computer imaging. Finally, the Funding Exchange received a substantial award to regrant production funds to both women and minority producers working to create video documentaries on issues of social importance; as a condition of the grant, the Funding Exchange is committed to matching Media Program funds on a one-to-one basis thereby enlarging the pool of funds available to artists in New York State.
Although video is a relatively recent medium, its past is already endangered due to the lack of archival technologies thus far available. In order to preserve videotapes from even the recent past, more work must be done to transfer endangered tapes to the most currently stable materials and to conduct research into the viability of authentic preservation. Grants were made to both the Museum of Modern Art and Film/Video Arts to establish two different approaches to the problem. The Museum will be developing a sophisticated 1" restoration facility to restore early video art, while Film/Video Arts will be establishing a low-cost ½" preservation and recovery facility for artists.
If preservation of the actual physical medium is important, so too is the less tangible preservation of the values, intentions, and aesthetic complexities of the work that is produced. For this reason, writing on video art has been supported for several years as a category of funding aimed at strengthening a field still nascent in its own interrogation of itself. Two awards were made in this category: one to Coco Fusco on the promotion of Latino media in the late-80s market, and one to David Trend for an essay on the distinction between amateur and professional at a time of increasing sophistication in consumer products.
Finally, and of foremost priority for the Media Program, a quarter of the year's budget went to the support of video and audio production by New York State artists. See the listings in the Individual Artists Program section of this annual report for details on all the artist initiated projects that were funded. The significance of past funding was made clear by the success of "Inside Life Outside," a video documentary on the homeless that was completed this year and has been presented to wide acclaim, including a presentation at the Berlin Film Festival. In addition, this year the Media Program experimented with a separate category of funding for video, television, and radio projects that were organization-initiated. A total of 12 projects were funded out of 47 requests. Awards included one to WSKG-TV in Binghamton for a one-hour documentary on jazz great Slam Stewart; one to Pacific Street Film Project for a videotape on Caribbean culture in Brooklyn, slated for airing on WNET-TV; and one to the Seneca Nation in Erie County, for a documentary on snowsnake, an ancient Iriquois game of skill, and the turtle rattle, a sacred musical instrument used in ceremonies of the Longhouse tradition.
Artists-in-Residence:
Bronx Museum of the Arts
Hallwalls; Buffalo
New York Hall of Science; Queens
Visual Studies Workshop; Rochester
WSLU-FM; Canton
Distribution:
Alternative Media Information Center; Manhattan
American Federation of the Arts; Manhattan
Black Filmmaker Foundation; Manhattan
Camera News/ Third World Newsreel; Manhattan
Committee on Poetry; Manhattan
Electronic Arts Intermix; Manhattan
Film Art Fund/ Anthology Film Archives; Manhattan
Giorno Poetry Systems; Manhattan
Haleakala/The Kitchen; Manhattan
Hallwalls; Buffalo
Women Make Movies; Manhattan
Equipment Purchase:
Camera News/ Third World Newsreel; Manhattan
Collective for Living Cinema; Manhattan
Experimental Television Center; Owego
Haleakala/The Kitchen; Manhattan
Harvestworks; Manhattan
Visual Studies Workshop; Rochester
Exhibition:
55 Mercer Street Artists; Manhattan
Alternative Center for International Arts/ Alternative Museum; Manhattan
American Museum of the Moving Image; Queens
Amigos del Museo del Barrio/ El Museo del Barrio; Manhattan
Artists Space; Manhattan
Asia Society; Manhattan
Bronx Museum of the Arts
Center for New Art Activities; Manhattan
Center for Photography at Woodstock
Channel L Working Group; Manhattan
Collaborative Projects/ COLAB; Manhattan
Collective for Living Cinema; Manhattan
Cornell University/ Herbert F. Johnson Museum; Ithaca
Council on the Arts for Cortland
Crandall Library; Glens Falls
Dance Theater Workshop; Manhattan
East End Arts and Humanities Council; Riverhead
Educational Broadcasting Corporation; Manhattan
Exit Art; Manhattan
Fund for the Borough of Brooklyn/ Rotunda Gallery
Haleakala/The Kitchen; Manhattan
Hallwalls; Buffalo
Inter-Media Art Center; Huntington
International Agency of Minority Artists; Manhattan
International Center for Photography; Manhattan
Jewish Museum; Manhattan
Lincoln Center for the Performing Arts; Manhattan
Mid-Hudson Library System; Poughkeepsie
Museum of the American Indian; Manhattan
Museum of Modern Art; Manhattan
New Radio and Performing Arts; Brooklyn
New York Hall of Science; Queens
New York Public Library, Astor, Lenox and Tilden Foundations; Manhattan
Niagara Council of the Arts; Niagara Falls
Port Washington Public Library
Public Art Fund; Manhattan
Raindance Foundation; Manhattan
Rensselaer Polytechnic Institute; Troy
Tompkins Square, Arts Festival; Manhattan
Upstate Films; Rhinebeck
Visual Studies Workshop; Rochester
Western New York Artists Gallery; Buffalo
White Plains Cable TV Access
Whitney Museum of American Art; Manhattan
Asian Cine-Vision; Manhattan
Downtown Community Television Center; Manhattan
Experimental Television Center; Owego
Experimental Intermedia Foundation; Manhattan
Global Village Resource Center; Manhattan
Harvestworks; Manhattan
Locus Communications; Manhattan
Media Alliance; Manhattan
Media Bus; Woodstock
WSLU-FM; Canton
Institutional Development:
Camera News/ Third World Newsreel; Manhattan
Latino Collaborative; Manhattan
Organizational Production:
Black Filmmaker Foundation; Manhattan
Charas; Manhattan
Crown Heights Youth Collective; Brooklyn
Improvised Music Collective; Manhattan
Livewalk; Brooklyn
Metro Act of Rochester
Pacific Street Film Project; Brooklyn
Seneca Nation Education Department; Irving
Syracuse Alternative Media Network
Vivian Beaumont Theatre; Manhattan
WSKG Public Telecommunications Council; Binghamton
Wooster Group; Manhattan
Preservation/ Archival Conservation:
Film Art Fund/ Anthology Film Archives; Manhattan
Film/Video Arts; Manhattan
Museum of Modern Art; Manhattan
Regrant Program:
Checkerboard Foundation
Educational Broadcasting Corporation; Manhattan
Funding Exchange
Niagara Council of the Arts; Niagara Falls
Oswego Art Guild
Visual Studies Workshop; Rochester
Writers Guild of America East; Manhattan
Services to the Field:
Alternative Media Information Center; Manhattan
Archive of Contemporary Music; Manhattan
Association of Independents in Radio; Manhattan
Center for Photography at Woodstock
Chautauqua-Cattaraugus Library; Jamestown
Cornell University/ Herbert F. Johnson Museum; Ithaca
Crandall Library; Glens Falls
Danceworks/ Pentacle; Manhattan
Ear; Manhattan
Electronic Arts Intermix; Manhattan
Film News Now Foundation; Manhattan
Film/Video Arts; Manhattan
Foundation for Independent Video and Film/ FIVF; Manhattan
Haleakala/The Kitchen; Manhattan
Hallwalls; Buffalo
International Film Seminars; Manhattan
Mid-York Library System; Utica
National Alliance - Media Arts; Staten Island
New Int'l Telecom/ Info Ctr.; Brooklyn
New Radio and Performing Arts; Brooklyn
New York Public Library, Astor, Lenox and Tilden Foundations; Manhattan
Pacifica Foundation; Manhattan
Parabola Arts Foundation; Manhattan
Raindance Foundation; Manhattan
Squeaky Wheel; Buffalo
Staten Island Community Television
Visual Studies Workshop; Rochester
Women Make Movies; Manhattan
Workspace:
Center for Electronic Music; Manhattan
Electronic Arts Intermix; Manhattan
Film/Video Arts; Manhattan
Light Work Visual Studies; Syracuse
Local TV; East Hampton
Rensselaer Polytechnic Institute; Troy
Roulette Extramedia Resources; Manhattan
Visual Studies Workshop; Rochester
Writing on Media Art:
Visual Studies Workshop; Rochester
Women Make Movies; Manhattan
Advisory Panelists:
Ms. Linda Blackaby, Director, Neighborhood Film and Video Project; Philadelphia, PA
Ms. Trisha Dair, Executive Director, Staten Island Community TV; Staten Island
Mr. Bart Friedman, Director, Media Bus; Woodstock
Mr. Ralph Hocking, Director, Experimental Television Center; Owego
Ms. Annea Lockwood; Crompond
Ms. Maxine Delores Moffett; Brooklyn
Ms. Ellen Rocco, Station Manager, WSLU-FM; Canton
Mr. Edin Velez; Manhattan
Ms. Robin White Owen; Manhattan
Mr. Tony Whitfield; Brooklyn
Mr. Reginald Woolery; Brooklyn
Ms. Julie Zando, Director, Squeaky Wheel; Buffalo
Alternate Panelists:
Mr. Stephen Cellum; Manhattan
Ms. Shu Lea Cheang; Manhattan
Mr. Robert Doyle, Visual Studies Workshop; Rochester
Ms. Lucinda Furlong, Assistant Curator, Film & Video, Whitney Museum of American Art; Brooklyn
Ms. Lori Zippay, Executive Director, Electronic Arts Intermix; Manhattan