The Past Quarter Century and the Next Decade of Videotape Recording

Related records

• Digitally recorded videotape Chronology

  First digitally recorded videotape pictures demonstrated in Britain.

• Videotape Storage: How to Make Your Videotapes Last for Decades...or Centuries Bibliography

• Video Spaces: Eight Installations Bibliography

  Survey essay tracing video art from the mid-1960s Portapak to international installations of the early 1990s; discusses technological shifts (half-inch open-reel tape, Paik-Abe image processor, 3/4-inch videocassette) and early exhibitions at MoMA (1968), Howard Wise Gallery (1969), ICA Philadelphia (1975), Centre Pompidou (1990), and Documenta IX (1992). Presents eight environmental video projects and artists with dates and works: Judith Barry/Brad Miskell Ha®dCell (1994), Stan Douglas Evening (1994), Teiji Furuhashi Lovers (1994), Gary Hill Inasmuch as It Is Always Already Taking Place (1990), Chris Marker Silent Movie (1994–95), Marcel Odenbach Make a Fist in the Pocket (1994), Tony Oursler System for Dramatic Feedback (1994), and Bill Viola Slowly Turning Narrative (1992).

• Techniques for Multiple Generation Color Videotapes- Today and Tomorrow Bibliography

  Techniques for Multiple Generation Color Videotapes- Today and Tomorrow. 15 pages. "...It is the purpose of this paper to discuss both current and future techniques and equipment for the making of color recordings of sufficient perfection to allow dubbing to several generations."

• Two Texts Concerning Portable Video Tools

  Two short texts by Sherry Miller Hocking document the emergence of portable video and a chronology of portable videotape recorders; Early Portable Video (April 1992) describes Sony's mid-1960s 1/2" CV systems and portapak technology including a black-and-white camera, separate battery-operated 1/2" recorder, ten-pin cable, external microphone, 20-minute tape capacity and helical-scan recording, and notes artist and activist use and foundation support from the Rockefeller Foundation and the New York State Council on the Arts. The chronology (1999) lists 1965–1969 product introductions (Sony CV-2000, CV-2400, CV-2100/2200), EIAJ 1/2" standards in 1969, and Nam June Paik's early use in New York; appended material illustrates the CV portapak and product brochures.

• Introduction Preservation

  Sherry Miller Hocking's February 2002 introduction surveys efforts to preserve independent videotape and electronic media from the 1960s to 2002; it documents institutions and initiatives including the NEA and AFI, F/TAAC/AMIA, MoMA's 1991 symposium, Playback 1996, BAVC's remastering facility (1995), IMAP (1999), TechArcheology (2000), Preserving the Immaterial (2001) and the Looking Back/Looking Forward symposium (May 31–June 1, 2002). It identifies technical and organizational problems—videotape deterioration, obsolete equipment, dispersed collections and lack of a union catalog—and lists recommended actions such as compatible cataloging, remastering research and facilities, public and educational programs, and broader funding and coalitions.