Perry Bard has exhibited video and installations internationally: at the Museum of Modern Art, New York, Scanners Video Festival at Lincoln Center, PS 1 Museum NY, Reina Sofia Museum Madrid, Frac des Pays de la Loire France, Sao Paolo Biennial, VideoBrasil, the Southeast Museum of Photography Florida, MOCA Georgia, Cinema Rex Belgrade, 25th Viper Basel Switzerland, Ostrannenie Electronic Media Forum amongst others. She has created site specific public video installations for the Staten Island Ferry Terminal Building in New York and for Market Square in Middlesbrough UK. Public interventions about the war in Iraq include a mobile truckside billboard traveling the streets of New York, magazine ads and coffee cup sleeves all featuring artifacts missing from the Baghdad Museum. Her current web and public space project 2008:Man With A Movie Camera is a participatory global remake of Vertov's 1929 classic; a website at http://dziga.perrybard.net contains a scene index and shot list where people can upload footage to become part of a worldwide montage. Her work is featured in Digital Currents: Art in the Electronic Age by Margot Lovejoy, Die Akademie Der Kunst by Jochen Gerz, and has been reviewed in Artforum, Art in America, Flash Art, Lapiz, Springerin, The New Art Examiner.